Abandoned and neglected sites feature as prominently as those in construction in the Barbican's photography exhibition
The reopening of Flat 130 makes Brutalism briefly accessible
There was more to the Ming period than blue and white porcelain
The troubling sounds of five war-damaged instruments are heard for the first time in over 100 years
Kettle's Yard showcases the wood engravings of Gwen Raverat, who made her name depicting the area around Cambridge
Edwin Smith's photographs captured the end of a different age
Reid Kelley retells the minotaur story with rare and quite brilliant verve
Another informative episode, but why does it claim to be about war when the subject is given so little airtime?
If you thought that you knew John Constable’s art, you are going to be in for something of a surprise
From ancient Assyria to the Vienna Actionists...a round-up of recent reviews and interviews
The nuances of the new hang might be lost on the non-specialist, but overall the Wallace Collection's refurbished gallery is magnificent
To really appreciate this body of work, leave your sense of propriety at the door
Fiona Banner's extraordinary indoor Chinook will make you want duck and run
Andrew Graham-Dixon gives an engaging account of the modern artist and marketeer. But what about the war?
Great British artists in the limelight this week: 'Late Turner' at Tate; Christopher Dresser at the Fine Art Society; and Paul Nash on BBC Four
Will Gilbert and George's Scapegoating Pictures have the same impact in Paris as in London?
What is it that separates a house from a museum, and do we like those separations?
Dine turns Soviet-era lithographic stones into contemporary art
Hopper treads the line between documentary and art expertly
Andrew Graham-Dixon explores the work of Paul Nash, whose career was deeply affected by the two World Wars
Overlooked for decades, Christopher Dresser is now recognised as one of the most influential figures in 19th-century design
It is not painting that is set free here, but the painter, liberated from the often questionable roles into which he has been conscripted in the name of British art
Unfortunately these particular obscure objects make for a slightly incoherent show...
