Past Issue
April 2022
• What was really behind Surrealism?
• An interview with Cecilia Alemani, Artistic Director of the Venice Biennale
• Revealing the mystery of Bassano’s Quails
• The Venice Pavilions you must see
Plus: Beyond the Biennale, greenwashing in museums, what we’re losing with Bastion House
Inside this issue
Past issues
December 2024
Rachel Ruysch | What museums think about climate protests | Apollo Awards 2024
November 2024
Japanese art at the MFA Boston | Christian Marclay | collecting haute couture
October 2024
Liliane Lijn | Picasso | Mughal painting | Impressionism
September 2024
Jan Švankmajer | Pompeii | Cat ladies
More from Apollo
After centuries of neglect, Plautilla Nelli’s reputation is soaring again
The resurgence of interest in female Renaissance painters has reached the Florentine nun and her workshop – and it’s time to pay more attention to artists in other Tuscan convents
The wild imagination of Maurice Sendak
The true gift of the author of ‘Where the Wild Things Are’ was to see the world like a child and blur the line between dreams and reality
In Turin, the world’s oldest Egyptian museum turns 200
Museums devoted solely to Egyptian antiquities are rare and Turin’s also tells the story of Italy’s long and complex relationship with the land of the pharaohs
What happens when an artist wants to be anonymous?
An Austrian museum is hosting a show by an unnamed artist – but perhaps this act of secrecy will help us see the work more clearly