Apollo

In the Picture

Self-Portrait with Bandaged Ear, 1889, Vincent van Gogh

This exhibition at the Van Gogh Museum examines how modern artists have presented themselves through portraiture

Black Suns

T 1967-H25 (detail; 1967), Hans Hartung.

The Louvre-Lens reopens with an exhibition exploring the use of the colour black in art

I spy with my little eye… a cultural tour of Killing Eve

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Jodie Comer as Villanelle in Killing Eve.

What is it about art and espionage? The spies and assassins of BBC America’s hit show have sophisticated tastes in meeting venues

Lessons from a lonely city – walking through lockdown London has been a revelation

Installation view of Here (2013) by Thomson & Craighead on Greenwich Peninsula.

We’re all flâneurs now. So what would help us get even more out of walking through our local areas?

Expressions of empathy are not enough – it’s time for US museums to act

A protest in Detroit on May 29, 2020, during a demonstration over the death of George Floyd. Photo: Seth Herald/AFP via Getty Images

Art museums that consider themselves places of reflection should be thinking harder about what they are for and what needs to change

Acquisitions of the Month: May 2020

The Lavergne Family Breakfast (1754), Jean-Etienne Liotard.

A masterful pastel by Liotard and more than 100 scenes of New York are among this month’s highlights

A head of its time – a Central African masterpiece comes to auction

Reliquary head (19th century), Fang people, central Africa.

A Fang reliquary sculpture with an illustrious history is the first classical African work to be offered in a contemporary evening sale

Home alone at Houghton – life in lockdown at one of England’s great houses

Courtesy Houghton Hall

Splendid the isolation may be at the great Palladian hall and estate in Norfolk – but a sense of purpose is missing without visitors, write its chatelains

Open access to collections is a no-brainer – it’s a clear-cut extension of any museum’s mission

Providing open access to digitised collections has spurred creativity and research worldwide – so why are the UK’s flagship museums so slow on the uptake?

Guests and gadgets – in the kitchen with Lee Miller

Lee Miller, photographed in Egypt in 1939 by Roland Penrose (detail).

Lee Miller’s last great reinvention is also her least well known – as an accomplished and authoritative cook at her East Sussex farmhouse

‘Boccaccio and the Black Death have been doing the rounds’

Decameron (detail; 1837), Franz Xaver Winterhalter. The Princely Collections, Liechtenstein, Vaduz-Vienna

The Decameron is but one of the historical touchstones that commentators have turned to during the health crisis. But do they really help us orientate ourselves?

The week in art news – Gurlitt hoard investigation wound up

Monika Gruetters (left) hands over the painting ‘Quai de Clichy’ by Paul Signac to Agnes Sevestre-Barbe, representative of the heiress, as part of the return of art stolen under the Nazis and hoarded by Cornelius Gurlitt, the son of Nazi-era dealer Hildebrand Gurlitt in Berlin on July 3, 2019.

Plus: Turner Prize 2020 cancelled, Italian judges back right-wing institute against the ministry of culture, and more art news

Keeping it real – neorealism in the Netherlands

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Installation view of the collection at Museum MORE, which deliberately avoids a chronological hang

Museum MORE has done a great deal to invigorate a genre once seen as hopelessly old-fashioned

Chris Grayling, culture vulture – and NPG trustee

The Right Honourable Chris Grayling MP has been appointed a trustee of the National Portrait Gallery, London

The former transport secretary has been appointed as a trustee of the National Portrait Gallery – so he must be a museum fanatic, right?

The sophisticated still lifes of Giovanna Garzoni

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Chinese dish with artichokes, rose and strawberries (c. 1655–62), Giovanna Garzoni. Galleria Palatina, Gallerie degli Uffizi, Florence

The painter’s painstakingly precise botanical illustrations were highly sought after in the 17th century

The Experimental Self: Edvard Munch’s Photography

Self-Portrait in the Front of Two Watercolours at Ekely, II

Ahead of its planned opening this autumn, the Munchmuseet presents an exhibition of the artist’s selfies

Old Royal Naval College Painted Hall virtual tour

Detail of the ceiling of the Upper Hall, featuring portraits of Queen Anne and Prince George of Denmark

Zoom in on every detail of James Thornhill’s spectacularly baroque scheme – Britain’s answer to the Sistine Chapel

Royal Blue: William and Mary’s Finest Delftware

Tile from Princess Mary’s kitchen apartment in Palace Het Loo, Rotterdam (c. 1685)

The Kunstmuseum den Haag reopens with a show delving into the world of Dutch delftware

‘The Greatness of the Universe’ in the Art of Giovanna Garzoni

Lapdog with Biscotti and a Chinese Cup (c. 1648), Giovanna Garzoni. Gallerie degli Uffizi, Florence

The Pitti Palace presents the first major survey of the 17th-century artist’s precisely observed paintings

Homes from home – on house museums in lockdown

The fireplace in the Farleys Dining Room at Farleys House, Muddles Green, Sussex.

Transporting yourself to house museums is a consolation during lockdown – but they face a precarious future

Flights of fancy – the artists who captured Barnard Castle

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Barnard Castle (c. 1825), J.M.W. Turner

The 12th-century castle and surrounding town, located some 250 miles from London, have long attracted visually attentive visitors

Art businesses are emerging from lockdown – but how best to go about it?

When commercial galleries in the UK reopen, they will need to be mindful of social-distancing rules and wary of legal obligations for online sales

‘For her, painting was the holy grail’ – on Susan Rothenberg (1945–2020)

Susan Rothenberg in her studio in New Mexico in 2008.

A tribute to the American artist, whose haunting canvases ushered in a new wave of expressionism in painting

How do you solve a problem like Andy Warhol?

Andy Warhol photographed in 1980.

Blake Gopnik’s new biography sets out to solve the puzzle of a man who saw his life as an extension of his art