Apollo

Return to the source – the invention of American landscape painting

View from Mount Holyoke, Northampton, Massachusetts, after a Thunderstorm – The Oxbow (1836), Thomas Cole. The Metropolitan Museum of Art, New York

The painters of the Hudson River School are now firmly recognised as pioneers of American art – and inspiring a new generation of artists

Editor’s Letter: Anniversary Years

Clusters of centenary exhibitions and publications may well bring new material to light. But what do they tell us about the way we think now?

The Magnificent 20: these Italian museums have been granted financial autonomy

These 20 Italian museums will appoint new directors this year and will be granted financial autonomy, as part of the…

Are Italy’s museum reforms enough to stop the rot?

Red tape, nepotism, funding shortages…The Italian museum system has long been in need of an overhaul

Market Preview: June 2015

Aboriginal art, Picasso ceramics, Bacon self-portraits and Pre-Raphaelite work

Forum: Does London need the Smithsonian?

1 Comment

Edwin Heathcote and Neale Coleman discuss the Smithsonian’s plans to open an outpost in the ‘Olympicopolis’

Letter: James Turrell in the wilds of Norfolk

Turrell has transformed Houghton Hall with his powerful, mesmerising light installations

Diary: the lure of the Soane Museum

What it’s like to exhibit your own collection in the former home an obsessive acquisitor like Sir John Soane

Acquisitions of the Month: May 2015

Barbra Streisand donates to LACMA; the Met and the NGA pay homage to Aaron Douglas; SNPG celebrates the Scottish Colourist F. C. B. Cadell

Muse Reviews

Grayson Perry takes the stage at Turner Contemporary; the Latona Fountain flashes into life at Versailles; and we take a sneak peek at some treasures of ‘Gold and Ivory’

Have the SuicideGirls trumped Richard Prince?

An inventive 21st-century response to copyright infringement

Why does Palmyra matter?

There’s been global concern over the fate of Palmyra after ISIS seized the site. Why are its ancient ruins so significant?

Crossing paths: the chance meeting that spawned ‘River Crossings’

It all started in 1995 when a jet-lagged Stephen Hannock walked into the Met

Art Outlook

Fighting continues in Palmyra; Tania Bruguera is detained in Havana; Richard Prince raids Instagram

John Aubrey on architecture: centuries old and more relevant than ever

17th-century writing on ancient buildings never felt so contemporary

Fit for a Sun King: the Latona Fountain reopens at Versailles

Turtles, lizards and frog-men on Louis XIV’s famous fountain get a spectacular makeover

Review: Grayson Perry at Turner Contemporary

For once, the influential artist’s work is left to speak for itself

Review: ‘Zero Atmosphere’ at Cortesi Gallery, London

Is London’s attention shifting away from Italian art?

Casting a Queen: Louis XIV’s forgotten wife

Too well behaved to be remembered: a rare bust of Marie-Thérèse offers a glimpse of the Sun King’s consort

Highlights from ‘Gold and Ivory’ at Louvre-Lens

Beautiful example of medieval painting, sculpture and decorative arts on show at the Louvre-Lens Museum

First Look: ‘Gold and Ivory’ at Louvre-Lens

The curators introduce a new exhibition of medieval art from Paris and Tuscany

Muse Reviews

Homages to plaster casts and Portland stone; Chris Burden’s wonderful final work; plus, ‘has David Hockney been at the ketamine?’

Reading Basquiat’s Notebooks at the Brooklyn Museum

Words and writing were as much a part of Basquiat’s art as his visual imagery

Book Competition

Your chance to win ‘Frank Auerbach: Speaking and Painting’, by Catherine Lampert