Nearly 50 years ago, Richard Long transformed a simple walk into a radical act. The artist talks to Apollo about mud and mark-making, his new prints, and why he can’t stop walking
Nearly 50 years ago, Richard Long transformed a simple walk into a radical act. The artist talks to Apollo about mud and mark-making, his new prints, and why he can’t stop walking
Tom Jeffreys reports from Helsinki on Amos Anderson’s plans for a new gallery; Kiasma’s reopening and exhibitions; and Päivi Takala’s paintings of painting
American cantaloupes at the Louvre; Frida Kahlo and Diego Rivera in Detroit; Feminism and Niki de Saint Phalle
Fire at the Battersea Arts Centre; Why ‘avant-garde’ is a slippery term; and what’s wrong with the BBC’s Big Painting Challenge
It’s now possible to buy exact replications of Van Gogh paintings from the Van Gogh Museum. How are they produced, and why?
Austria to keep a prized Klimt; Gerhard Richter says art is too expensive; and are things looking up for the Warburg Institute?
The genre took a while to catch on in America, but when artists did take up still-life painting they made it their own
Axel Rüger talks to Apollo about the Van Gogh Museum in Amsterdam, an enterprising institution that combines popular appeal with groundbreaking research
The term ‘avant-garde’ has shifted meaning from its military roots to the byword for artistic innovation. How should we apply it to art history?
Giles Hutchinson Smith on Mallett’s long history, moving to Ely House, and his star exhibits at TEFAF
In one remarkable year, Rivera arguably made his greatest mural cycle and Kahlo forged her own expressive style
John Gerrard’s bleak vision of technological evolution; photography and human rights; and the forgotten master of still life, Henri de Fromantiou
TEFAF Treasures
Personal favourites from Maastricht, including an ancient Egyptian fragment and an unfinished old master painting