‘La Peregrina’ is like a dip in icy water after Rubens’ opulent works
The advent of modern aviation had a decisive influence on the art of British modernists
Libertine, criminal, aristocrat, revolutionary, and prolific author – the Marquis de Sade continues to inspire some great art and exhibitions
The Hudson River School at LACMA; self-portraits at Turner Contemporary; Conscience & Conflict at Pallant House; Poliakoff at Timothy Taylor
I’ve tried to stay away from what most people would expect from a show about craft
Gabriele Finaldi is tipped as the next National Gallery director; Italy recovers looted antiquities; and Luc Tuymans is found to be in breach of copyright
The Spanish Civil War had a huge impact on the life and work of many British artists
What role does the body play in British painting today?
Timothy Taylor Gallery presents the first solo UK presentation of the artist’s works in over 50 years
A selection of self-portraits from Turner Contemporary’s latest show
Van Dyck’s celebrated last self-portrait tours to Margate at the centre of a major exhibition
As we wait to hear the winner of this year’s prize, director Karen MacKinnon discusses the shortlisted works and what they mean to her
The New-York Historical Society has sent a spectacular group of landscape paintings to LACMA this winter
Brafa may have been running for 60 years, but with more international dealers and an ambitious events programme, it continues to raise its game
‘Unseen’ at the Courtauld Gallery; Blake at the Ashmolean; Moroni at the Royal Academy; and sculptors’ drawings in Boston
Rethinking artists’ copyright; an update from Amphipolis; and Limerick’s year of controversy and culture
In the January issue of Apollo, we asked a range of senior figures for their perspectives on copyright now
Who will restore the Glasgow School of Art? Who’s taking over at TEFAF? How much would you pay for Larry Gagosian’s sushi?
There can be little argument with the quality of the works; but there is, to put it mildly, a lot to take in
Frederick Wiseman talks to Fatema Ahmed about his new film, National Gallery
Mike Fitzpatrick salvaged the programme after its disastrous start, but what’s next for the city?
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The Week’s Muse: 24 January
BRAFA opens in Brussels; Theaster Gates wins the Artes Mundi Prize; art and craft at the NGCA