Curator Fiona McCarthy discusses Morris’s art and politics, and argues that both are still relevant today
Exhibitions of Paul Nash’s modern watercolours and Damien Hirst’s candy-coloured pills are now open
There are millions of artists in the USA. How do you seek out the interesting ones?
The Foundling Museum introduces Dr Richard Mead
Frieze is fast approaching and new exhibitions are opening across London. Can’t keep track? Follow our daily roundup…
The Guggenheim celebrates the ZERO Group and those they inspired
Explore the transnational vision of the ZERO network…
‘The Last Sculptures’ is a timely celebration of Caro’s late work, almost a year after his death
Jane Morris posed as numerous legendary characters for Rossetti: what of her own?
Curator Oliver Wick discusses staging an encounter between Schiele and Saville
Recent exhibition reviews, including Constable, Edwin Smith and a modern take on the minotaur myth
Abandoned and neglected sites feature as prominently as those in construction in the Barbican’s photography exhibition
A new owner for The Art Newspaper; seven day weeks for Paris museums; art theft in Cyprus; and another Banksy saga
The reopening of Flat 130 makes Brutalism briefly accessible
There was more to the Ming period than blue and white porcelain
The troubling sounds of five war-damaged instruments are heard for the first time in over 100 years
Dionysius, Homer and a donkey-shaped drinking cup are some of characters in the new galleries
Do art historians and other art authenticators need greater legal protection?
Kettle’s Yard showcases the wood engravings of Gwen Raverat, who made her name depicting the area around Cambridge
From 17th-century embroideries to 20th-century photography: some notable recent museum acquisitions
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The Week’s Muse: 4 October
Art law and attribution; the Balfron Tower and Brutalism; and an end to love locks in Paris?