‘Paul Klee: Making Visible’ at Tate Modern is rigorous but incurably serious – is it the right setting for such complex and colourful work?
Richard Nagy, one of the exhibitors at PAD London this week, speaks to Apollo
‘Mad, Bad and Sad: A History of Women and the Mind Doctors from 1800 to the Present’ at the Freud Museum is powerfully unsettling
David Ghezelbash, one of the exhibitors at PAD London this week, speaks to Apollo
This week, Apollo hears from some of the exhibitors at PAD London (16–20 October), starting with Martin Levy of H. Blairman & Sons
MoMA dusts off some treasures in an attempt to prove that there is no ‘problem’ with its American collection
Geurt Imanse and Bart Rutten, curators of ‘Kazimir Malevich and the Russian Avant-Garde’ at the Stedelijk Museum in Amsterdam, talk to Apollo
‘The Renaissance and Dream’ at the Musée du Luxembourg is nothing short of miraculous
Damien Hirst’s ABC book is cynical and culturally pointless, but it might just make a valuable impression regardless
Helen Watson, director of exhibitions and collections at the Abbot Hall Art Gallery, speaks to Apollo
Tate Britain’s ‘Art Under Attack’ fails to address acts of contemporary iconoclasm, such as the destruction of the Chartist Mural in Wales
Too many young dealers view Frieze as the gatekeeper to artistic fame and fortune, and are desperate to come in from the cold
Cloé Pitiot, co-curator of ‘Eileen Gray: Architect Designer Painter’ at IMMA, speaks to Apollo about the inspiration she has drawn from the artist
Frida Kahlo and Diego Rivera make awkward companions at a nonetheless important Paris exhibition
The Spode factory in Stoke-on-Trent may have closed in 2008, but the British Ceramics Biennial looks to the future of the medium
Several displays of 18th-century art have opened recently. What’s behind the current interest in this elegant era?
The standard of Ireland’s latest clutch of public statues ranges from poor to dreadful
Syrian cultural artefacts are at risk from looting and illicit trade. ICOM’s Red List is one of the measures that might prevent their disappearance
Pierre Huyghe’s work isn’t made for a gallery space, but an exhibition at the Centre Pompidou brings it inside anyway
Gemma Blackshaw, guest curator of ‘Facing the Modern: the Portrait in Vienna 1900’ at the National Gallery in London, speaks to Apollo
The Hamburger Bahnhof looks at 20th-century attitudes to the future, but didn’t foresee some of the problems of its chosen approach
The Whitechapel Gallery celebrates Acme Studios’ avant-garde roots, but is it now just urban ruin-porn for London’s property developers?
The Keeper’s House at the Royal Academy has opened, boasting tasteful dining rooms, a geisha-girl bar and a secret garden…
Most popular
- Recent
- Recent
Podcast
![Masterpiece [Re]discovery 2022. Photo: Ben Fisher Photography, courtesy of Masterpiece London](https://apollo-magazine.com/wp-content/uploads/2022/07/MPL2022_4263.jpg)
© 2024 Apollo Magazine
22 Old Queen Street, London, SW1H 9HP
Catalogue Photography
Dayanita Singh’s exhibition at the Hayward Gallery is curious curatorial blend: archive, library and gallery combined