‘Désirs et Volupté’, a selection of Victorian art from the Pérez Simón collection at the Musée Jacquemart-André, won’t be to everyone’s taste
‘Désirs et Volupté’, a selection of Victorian art from the Pérez Simón collection at the Musée Jacquemart-André, won’t be to everyone’s taste
New galleries continue to open in the east of London, despite rueful talk of the area’s artistic demise
Hilary Williams, director of the Ditchling Museum, talks to Apollo on the eve of its public reopening
This month’s book competition offers you the chance to win the ‘Masterpieces: Art and East Anglia’ exhibition catalogue, edited by Ian Collins
Laura Knight is undoubtedly an important figure in British art and history; she’s just not a particularly inspiring painter
The sale of Sir Albert Richardson’s collection is a loss for the nation that could and should have been averted
It may be a publicity stunt, but the V&A’s controversial acquisition of the ‘Liberator’ 3D printed gun says a lot about our ambivalent relationship to new technologies
Francis Bacon wins the latest bout between artistic heavyweights, against Henry Moore at the Ashmolean
The proliferation of ‘mega spaces’ in London looks set to continue, and it leaves too many smaller galleries struggling to keep their footing
Tate’s long-awaited exhibition makes an ambitious but confused attempt to bring Lowry in from the cold
Kristen Collins and Jeffrey Weaver introduce an exhibition of English Romanesque art which opens at the Getty on Friday
The view from Richmond Hill has changed little since Turner brought landscape out from the background of British painting
‘Eduardo Paolozzi: Collaging Culture’ at Pallant House is reviewed in Apollo this month. Subscribe to receive a free copy of the accompanying book
Roisin Astell speaks with some of this year’s exhibitors and bumps into Rolling Stones guitarist Ronnie Wood…
He may be more famous for his sculptural work, but Richard Serra’s etchings at the Alan Cristea Gallery carry their own weight.
Georg Baselitz’s powerful sculptures and paintings acquire a slick black gloss at Galerie Thaddaeus Ropac’s Paris Pantin Space
Alternative OZ
The ‘Larrikins’, counter-culture and psychedelic Smartiples: an alternative look at Australian art in London