R.B. Kitaj in his own words
The painter’s posthumously published memoir is a candid record of his obsessions
The painter’s posthumously published memoir is a candid record of his obsessions
A new biography of Renoir emphasises the role the painter’s domestic life played in his work
The proposed loan of the Bayeux Tapestry has made for some, erm, creative threads on social media
The South African artist has made a virtue of taking his time to make slow but rewarding films and performance pieces
A museum retrospective charts James Rosenquist’s journey from billboard painter to Pop art pioneer
More contemporary galleries than ever are opening regional outposts, or moving out of London altogether
The vote to repeal net neutrality in the US poses a problem for museums trying to connect with new audiences
The latest recruit to the MFA Boston is a three-month-old puppy called Riley
In her mid-career survey, Jacqueline Donachie explores the hidden cruelties of the urban environment
For her first solo exhibition in Ireland, Otobong Nkanga complicates easy distinctions between the natural and the industrial
The photographer’s foundation opens with pop-up portrait sessions and an exhibition of images of the West Midlands
Vivian Maier took thousands of photographs, but showed them to no one. Why are some artists so determined to keep their work secret?
It’s a big year for museums in the UK, with reopenings, expansions, and collaborations in London and Cambridge
This superbly curated exhibition transforms our understanding of medieval art history
The great architecture critic and campaigner has died at the age of 69
An exhibition in Berlin explores how both sides in the Cold War tried to turn artists into ideological weapons
Justin Bieber takes up painting, an art-breaking first date, and Hans-Ulrich on the beach
Looking forward to a year of monographic exhibitions, from Joan Jonas in London to Danh Vō in New York
The US is withdrawing from UNESCO (again) at the end of 2018. Has this international body outlived its usefulness?
Ralph Rugoff, the director of the Hayward Gallery, explains what the revamped brutalist building has to offer artists and audiences