Muse Reviews
Homages to plaster casts and Portland stone; Chris Burden's wonderful final work; plus, 'has David Hockney been at the ketamine?'
Homages to plaster casts and Portland stone; Chris Burden's wonderful final work; plus, 'has David Hockney been at the ketamine?'
The hidden David Parr House in Cambridge; the Waddesdon Bequest; and the verdict from Venice
Our pick of the Venice Biennale; highlights from the Pompidou pop-up in Málaga; and the Jewish Museum's celebration of TV
The ability to paint a good orgy, as Poussin certainly could, never made a religious painter irreligious
Christian Rosa's 'slacker abstraction'; Goya's witches and old women; and John Skoog's tribute to Hollywood's golden age
George Vasey recommends Raoul de Keyser's work in Edinburgh; Vanessa Remington introduces the art of the garden at the Queen's Gallery; and 'Classicicity' explores ancient and modern art in tandem
American cantaloupes at the Louvre; Frida Kahlo and Diego Rivera in Detroit; Feminism and Niki de Saint Phalle
The term 'avant-garde' has shifted meaning from its military roots to the byword for artistic innovation. How should we apply it to art history?
John Gerrard's bleak vision of technological evolution; photography and human rights; and the forgotten master of still life, Henri de Fromantiou
A look at the satellite events staged in and around Maastricht
On Kawara at the Guggenheim New York; Mariana Castillo Deball at the Hamburger Bahnhof, Berlin; Leon Underwood at Pallant House; Mackintosh at RIBA
Recent exhibition reviews and previews; from sultans, to Sturtevant, to salted paper prints...
Has London ever had such a thirst for Victorian art? A feature from the February issue of Apollo
No pairing of artist and muse was more complicated, ambivalent, or more richly productive
London's Dominique Lévy Gallery looks again at the 20th-century trend
Bonalumi was a pivotal figure in post-war Italian abstraction; finally he's getting the attention he deserves
The curator of European paintings at the Metropolitan Museum of Art was killed in the Metro-North Valhalla train crash on Tuesday
Female artists are well represented in this show; a deliberate strategy that prompts a more critical questioning of the genre
Flesh and sex – the legacies of Rubens and Sade; two views of the 20th century's torn and tattered art; and the story of Lancashire's philanthropic industrialists
'La Peregrina' is like a dip in icy water after Rubens' opulent works