The difficulty of ‘Defining Beauty’
The British Museum's celebration of the body in ancient Greek art is more complicated than you might imagine – and better for it
The British Museum's celebration of the body in ancient Greek art is more complicated than you might imagine – and better for it
This important exhibition should be a wake-up call for today's visitors
Vice has always been a draw
Tracey Emin's bed, Isa Genzken's money, NS Harsha's space cows, and Roger Ackling's 'Simple Gifts'
Christian Rosa's 'slacker abstraction'; Goya's witches and old women; and John Skoog's tribute to Hollywood's golden age
Tate Britain director and RA curator head for Europe; LACMA teams up with Hyundai; the UK's fight to keep an ancient Egyptian statue continues; plus our favourite April Fools
Poussin's religious paintings are in the spotlight at the Louvre this Spring
A sneak preview of a new exhibition dedicated to Poussin's depictions of sacred and Christian themes
Faded cinemas and enigmatic landscapes hark back to Hollywood's heyday at Pilar Corrias
What better subject to show at Rubens’ family home than his family portraits?
Moore at YSP; Salon du Dessin highlights; Basquiat in Ontario; a bigger and better Drawing Biennial; and Dryden Goodwin's enigmatic film
Can museum education programmes have a more radical purpose?
It is satisfying to see Benglis finally given proper recognition in the UK
The fundraising exhibition and auction has emerged, somewhat paradoxically, as a highlight in the gallery's programme
Traces of the World Trade Centre in London; counterculturalism and Robert Fraser; and Hauser & Wirth's space in Somerset
George Vasey recommends Raoul de Keyser's work in Edinburgh; Vanessa Remington introduces the art of the garden at the Queen's Gallery; and 'Classicicity' explores ancient and modern art in tandem
Classical and contemporary collide at Breese Little gallery
De Keyser’s great talent is to keep oppositional ideas in the balance
An early Mondrian hidden among Old Masters; Auerbach's striking self-portrait; and a curious Collector's Cabinet
Nearly 50 years ago, Richard Long transformed a simple walk into a radical act. The artist talks to Apollo about mud and mark-making, his new prints, and why he can’t stop walking