Jenny Saville rethinks the ‘Rubenesque’ at the Royal Academy
'La Peregrina' is like a dip in icy water after Rubens' opulent works
'La Peregrina' is like a dip in icy water after Rubens' opulent works
The advent of modern aviation had a decisive influence on the art of British modernists
The Hudson River School at LACMA; self-portraits at Turner Contemporary; Conscience & Conflict at Pallant House; Poliakoff at Timothy Taylor
BRAFA opens in Brussels; Theaster Gates wins the Artes Mundi Prize; art and craft at the NGCA
I’ve tried to stay away from what most people would expect from a show about craft
A selection of self-portraits from Turner Contemporary's latest show
Van Dyck's celebrated last self-portrait tours to Margate at the centre of a major exhibition
The New-York Historical Society has sent a spectacular group of landscape paintings to LACMA this winter
'Unseen' at the Courtauld Gallery; Blake at the Ashmolean; Moroni at the Royal Academy; and sculptors' drawings in Boston
In the January issue of Apollo, we asked a range of senior figures for their perspectives on copyright now
Frederick Wiseman talks to Fatema Ahmed about his new film, National Gallery
Mike Fitzpatrick salvaged the programme after its disastrous start, but what's next for the city?
The Royal Academy's exhibition presents Moroni’s portraits in their wider context
An exhibition of drawings by Renaissance sculptors provides valuable insights into both mediums
The Courtauld Gallery is opening a new space this year dedicated to the display of drawings
Highlights from the Courtauld's latest display of drawings from the collection
The Fondation Louis Vuitton is the new home for the personal and corporate art collections of Bernard Arnault
Two of Raad's career-defining projects reveal the balance of rigorous research and subtle wit that informs his work
Pop art comes under examination in 2015, while Pallant House Gallery reappraises the work of Leon Underwood, David Jones and Walter Sickert
Ireland's outstanding 18th-century decorative arts have been long overlooked, but a new exhibition in Chicago looks set to change that