Gallery: Diego Rivera and Frida Kahlo in Detroit
Rivera's monumental murals and Kahlo's small but powerful paintings at the DIA
Rivera's monumental murals and Kahlo's small but powerful paintings at the DIA
From shooting pictures to colourful 'Nanas', Saint Phalle's work tackles feminist issues head on
It’s all eyes on Maastricht as TEFAF opens for business, bringing together the world's leading dealers under the roof of the MECC
Highlights from the new (and first) exhibition dedicated to 17th-century painter Henri de Fromantiou
The Parisian art dealer Paul Durand-Ruel played an instrumental role in the rise of the Impressionists
The Detroit Institute of Arts has known hard times in recent years. As he prepares to retire, director Graham W.J. Beal reflects on the museum’s recent struggles and successes
The imbalance seems historically ingrained. But surely museums could do more to explain it
Underwood was best known as a sculptor, but he also created powerful paintings and prints
Digby Warde-Aldam explores what London has to offer, from contemporary abstract painting to Sargent's most disquieting portraits
From Botticelli to Dürer to Titian, Western artists of the Renaissance were influenced by the art and culture of the Ottoman Empire
A few highlights from a touring exhibition of colourful modern masterpieces
Hiroshi Sugimoto on fossils and photos; In praise of postcards; The unlikely success of Fig-2; Five highlights from the Wadsworth; Tàpies in focus
Hiroshi Sugimoto talks to Thessaly La Force about how his art collection influences his work
Masterpieces from New York's Frick Collection travel to The Hague
Sophie Hill celebrates the postcard in a series of pop-up displays of pocket-sized art
A candid look at the artist's portraits of his children
Christian Marclay at White Cube; 'Self' at Turner Contemporary; Piero di Cosimo at the NGA Washington; Jeremy Gardiner at Victoria Art Gallery
It's tempting to focus on the big loans, but the star of this particular show was in Washington all along
Are art schools in danger of turning into finishing schools for those who can afford them, or can they survive as places where students can experiment?
Though it may not be fashionable to say so, a feeling for mystery should be integral to how we look at art