Friezing Outside
Too many young dealers view Frieze as the gatekeeper to artistic fame and fortune, and are desperate to come in from the cold
Too many young dealers view Frieze as the gatekeeper to artistic fame and fortune, and are desperate to come in from the cold
The Hamburger Bahnhof looks at 20th-century attitudes to the future, but didn't foresee some of the problems of its chosen approach
The Whitechapel Gallery celebrates Acme Studios' avant-garde roots, but is it now just urban ruin-porn for London's property developers?
A new Titian is a rare thing indeed; and it certainly looks good enough to be true
Leonora Carrington may be a 'literary painter' and a surrealist storyteller, but we should not forget the formal qualities that underpin her best work
Curators are not ‘pirates who've taken over the ship’ and Waldemar Januszczak should know it
Carefully staged celebrity portraits by Jonathan Yeo and Michael Peto are on display at the National Portrait Gallery
The Musée d'Orsay's exhibition of male nudes is almost a great show, but it misses a timely opportunity to explore homoerotic sentiment in art
An exhibition at the Bowes Museum proves that Laura Ashley's influence lives on
An exhibition at the Frick Collection ostensibly celebrates David d'Angers' monumental sculpture, but his small medallions steal the show
Richard Parry, curator of the Grundy Art Gallery, talks to Apollo about the Blackpool gallery's collection
A new set of interactive digital displays has been unveiled at Tate Modern that seeks to create a 'digital community within the building'
There's history behind the V&A's 'Pearls' exhibition, its partnership with the Qatar Museums Authority, and its aptly-named sponsor, Shell
The 'Larrikins', counter-culture and psychedelic Smartiples: an alternative look at Australian art in London
Hilary Williams, director of the Ditchling Museum, talks to Apollo on the eve of its public reopening
This month's book competition offers you the chance to win the 'Masterpieces: Art and East Anglia' exhibition catalogue, edited by Ian Collins
Laura Knight is undoubtedly an important figure in British art and history; she's just not a particularly inspiring painter
Alma Luxembourg of Luxembourg & Dayan speaks to Apollo about art, the market and the dealer's life
The sale of Sir Albert Richardson's collection is a loss for the nation that could and should have been averted
Tate's long-awaited exhibition makes an ambitious but confused attempt to bring Lowry in from the cold