All at sea – the anxious mariners of Marsden Hartley
A briny, brawny late work by Maine’s favourite modernist finds strength in stoic silence
A briny, brawny late work by Maine’s favourite modernist finds strength in stoic silence
Henning Hoesch is a winemaker with a habit of making distinctions that extends to his collection of Old Master drawings
Notre Dame is to reopen, the Frick Collection is returning to Fifth Avenue and Scotland celebrates a pair of new or improved institutions
The marking of two seminal movements and a year-long celebration of Caspar David Friedrich combine scholarly heft with popular appeal
After a period of mediocre post-pandemic growth, what will the next year bring? Apollo’s columnist peers through the mists to make some predictions
The Sarabhai family were great patrons of modernist architecture in the city – and Gira Sarabhai’s contribution in particular deserves to be better known
The Mayfair institution contains scores of paintings of dogs who had jobs and some rather more pampered pets
The Pop sculptor shot to fame in the 1960s, but her determination not to be pigeonholed confounded many critics
The Wellcome Collection’s sprawling show has a lot in common with a busy department store and proves that the beauty industry can be an exhausting business
The artist painted countless variations of a white square, but repetitive strain was never really an issue
The retouching of Diana Cecil’s portrait has drawn comparisons with the enhancements of Kylie Jenner – but it says more about changing beauty standards
The Pogues frontman and the Romantic painter are forever linked by a classic album cover – and much more besides
The National Gallery in London presents the first major exhibition to be dedicated to the often-overlooked artist
Mediocre results for the November auctions in New York suggest that the auction-houses have put too many eggs in the same kind of basket
The lessons learned by the city’s painters in the 1500s brought about radical new forms of expression
The artist could be a touch wooden at times, but a survey in Dublin shows that his best work is full of theatrical flair
The flurry of exhibitions focusing on women artists is very welcome – as long as they avoid reinforcing tired old narratives
Apollo’s wine columnist tasted many excellent wines this year, but half a dozen were outstanding
<i>One Woman Show</i> is a novel about a socialite’s progress through the 20th century, told in the style of wall labels you might find at the Met
Jean-Étienne Liotard depicted the same scene first in pastel, then 23 years later in oils – and both versions can be savoured for a time at the National Gallery in London