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Leiko Ikemura (b. 1951).

‘I have always set off in new directions’ – an interview with Leiko Ikemura

The Japanese-Swiss artist talks about her work across drawing, painting and ceramics – currently on view in Basel

28 May 2019
The central sculpture hall of the Glasgow (now Kelvingrove) Art Gallery and Museum, newly opened for the Glasgow International Exhibition of 1901.

What hope for civic museums?

In the last decade local authority funding for museums has declined rapidly – but are some reasons for optimism emerging?

28 May 2019
Illustration by Graham Roumieu/Dutch Uncle

Should Notre-Dame be reconstructed faithfully?

Paul Binski and Douglas Murphy weigh in on the debate over how Paris’s great cathedral should be rebuilt post-fire

28 May 2019
Prisoners Exercising (1890), Vincent van Gogh.

How Victorian London inspired Vincent Van Gogh

The Tate explores how the painter’s eyes were opened to new influences during his time in the city

26 May 2019
Enrico David (b. 1966), photographed in his studio in Hackney, London, in January 2019.

‘I think of my sculptures as toys’ – an interview with Enrico David

The London-based artist discusses the darker side of play – and offers insight into his enigmatic sculptures

25 May 2019
Drinking vessels with decorated gilt necks at the Prittlewell site.

Unearthing the secrets of the Anglo-Saxon world

Paganism and Christianity are intertwined in the hoard of rare artefacts found in a princely burial site in Essex

24 May 2019
CARVING: 45 Years Later (detail; 2017), Eleanor Antin. Installation view of ‘Eleanor Antin: Time’s Arrow’, Los Angeles County Museum of Art, 2019.

Funny and unflinching – Eleanor Antin bares all at LACMA

The now-octogenarian artist has revisited her most famous work – and it only gets better with age

23 May 2019
Self Portrait with Skeleton Arm (detail; 1895), Edvard Munch.

Munch’s prints are obsessive and repetitive – but a revelation all the same

He took to the medium with great speed, producing works that display a rich debt to the Old Masters

22 May 2019
Marchesa Luisa Casati with Peacock Feathers Marchesa Luisa Casati with Peacock Feathers

Canes, corsets and peacock feathers – ‘Boldini and Fashion’ reviewed

The Ferrarese painter spent his career capturing the whims of fashion – but the results are far from superficial

21 May 2019
From Graffiti de la série VIII, La magie (series 1935–50; prints, c. 1956 and 1960), courtesy Waddington Custot

How Parisian graffiti made its mark on modern art

Brassaï’s eerie photographs of the city’s walls inspired painters including Jean Dubuffet, Antoni Tapiès and Cy Twombly

20 May 2019

Walter Gropius: the man who built the Bauhaus

Fiona MacCarthy’s biography suggests that the architect’s greatest achievement may have been to assemble so much talent in one place

18 May 2019

The painter who made his name on the Western Front

Alfred Munnings was an official war artist who took a curiously pastoral approach to the conflict

16 May 2019
Philip Johnson with models showing ‘the evolution of the modern skyscraper’, shortly before their display at the Museum of Modern Art, New York, in 1933.

The most influential and most detested architect of the modern age

Philip Johnson was not the most talented modern American architect, but he was certainly the most important

15 May 2019
Moving Off the Land (2019), Joan Jonas. Performance with Ikue Mori and Francesco Migliacco, Ocean Space, Chiesa di San Lorenzo, Venice, 2019.

Politics, performance and porcelain – at the Venice Biennale and beyond

Themes of exile and migration thread their way through the works in the main exhibition, national pavilions, and elsewhere

15 May 2019
The Statue of the Virgin Welcomed with Great Pomp in Brussels (1516–18), unknown Brussels workshop, after a design by Bernard van Orley.

Lavish tapestries and pious paintings – Bernard van Orley weaves his magic in Brussels

The Flemish master, whose workshop was one of the busiest in 16th-century Brussels, gets his first major survey in the city of his birth

13 May 2019
Eine Kleine Nachtmusik (1943), Dorothea Tanning. Tate Collection.

Flowers, hyenas and haunted hotels – the surreal world of Dorothea Tanning

The Tate’s survey of Tanning’s long career testifies to her lifelong commitment to Surrealism

11 May 2019
Modèle assise dans un fauteuil, se coiffant (detail; c. 1903), Édouard Vuillard.

Acquisitions of the month: April 2019

Paintings, prints and a vast video panorama – the best works of art to enter public collections recently

10 May 2019
Richard Sackville (1589–1624), 3rd Earl of Dorset (detail; 1613), William Larkin. English Heritage, Kenwood.

Behind the curtain – it’s time William Larkin finally got his due

This year marks the 400th anniversary of the death of the great English court painter, long known only as the ‘Curtain Master’

9 May 2019
Rosso Plastica M3 (1961), Alberto Burri. © Fondazione Palazzo Albizzini Collezione Burri, Città di Castello

The legacy of Alberto Burri burns bright – at home in Umbria, and in Venice

Some 50 works by the enigmatic artist have travelled from his hometown to Venice this summer

9 May 2019
The Rain Fell Everywhere (2018), David Salle.

David Salle puts a new spin on history painting

The painter’s witty and deceptively effortless works combine high and low culture to enjoyable effect

8 May 2019
Still from the digital video installation One Day in the Life of Noah Piugattuk (2019), by Isuma, the central work in the Canadian Pavilion at the 2019 Venice Biennale.

Venice in furs – an Inuit collective at the Biennale

The Isuma collective’s new film draws on the history of coerced relocation of Inuit communities in Canada

8 May 2019
Installation view of ‘DOMUS GRIMANI 1594–2019’ in the Sala della Tribuna in Palazzo Grimani, Venice, 2019. Photo: Matteo De Fina. Courtesy Ministry of Cultural Heritage and Activities – Polo Museale del Veneto

Stepping back in time at Palazzo Grimani in Venice

Returning the Grimani sculpture collection to its dramatic 16th-century setting feels like a dream, says Toto Bergamo Rossi

7 May 2019
Left: Painted bowl with geometric design and possible flower images, Classic Mimbres period (1000–1130), New Mexico. Right: Painted bowl with composite animal figure, Classic Mimbres period (1000–1130).

Bowled over – the painted pots of the ancient Mimbres people

Around a thousand years ago in the American Southwest, a highly sophisticated ceramic tradition emerged

7 May 2019
Installation view of Synchronicity (2018) at Mori Art Museum, Tokyo, Apichatpong Weerasethakul and Tsuyoshi Hisakado.

What not to miss at the 58th Venice Biennale

From Ralph Rugoff’s main exhibition to the 35 national pavilions, there’s lots to see – so here are the expected highlights

6 May 2019