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Fling, Dribble, and Drip (detail; 1970), Lynda Benglis, frontispiece of Jerry Saltz’s How to be an Artist (2020).

Freedom of expression – Jerry Saltz’s ‘How to be an Artist’, reviewed

The critic’s guide to creative living is full of joy – but how far can you get by following someone else’s rules?

8 Apr 2020
Chicken, Game Birds, and Hares (c. 1882), Gustave Caillebotte.

Acquisitions of the Month: March 2020

A transformative gift for Cleveland Museum of Art and some metal detectorists’ finds are among this month’s highlights

7 Apr 2020
William Wordsworth (detail; 1842), Benjamin Robert Haydon. National Portrait Gallery, London

The inward eye – painting, poetry and the world of William Wordsworth

The 250th anniversary of the poet’s birth prompts a reflection on his complicated relationship with the visual arts

7 Apr 2020
‘Ways of Seeing’ app in use before Jacopo del Sellaio’s painting in the Octagon Gallery at the Fitzwilliam Museum, Cambridge

Schoolchildren, science and smartphones shine new light on a Florentine masterpiece

An interdisciplinary project at the Fitzwilliam Museum has revealed tantalising possibilities about Jacopo del Sellaio’s Cupid and Psyche

Cape Ann Granite (1928), Edward Hopper

The forgotten landscapes of Edward Hopper

The great painter of urban solitude was also a dab hand at empty expanses – from dunes and forests to the open road

6 Apr 2020
Barbara Palmer (née Villiers), Duchess of Cleveland with her son, probably Charles Fitzroy, as the Virgin and Child (c. 1664), Peter Lely. National Portrait Gallery, London

Mischief-making mistresses at the court of Charles II

How the women at the heart of the Restoration court ‘weaponised’ portraits that flaunted their influence over the king

4 Apr 2020
Susanna and the Elders (1652), Artemisia Gentileschi.

Keeping up with Artemisia

The National Gallery’s Artemisia exhibition may be postponed, writes its curator, but there are plenty of ways to explore her work in the meantime

3 Apr 2020

What now for art businesses? Thoughts from an art lawyer in a time of crisis

What steps can art businesses take to temper the risks they face during the Covid-19 pandemic?

2 Apr 2020
André Malraux, in his role as culture minister, inaugurating an Impressionist exhibition in Paris in 1966.

Has André Malraux’s imaginary museum come into its own?

The French writer and politician is widely credited as the inventor of the ‘virtual’ or ‘imaginary’ museum – but what exactly did he have in mind?

2 Apr 2020
Wallpaper design, ‘Trellis’ (detail; designed 1862, first produced 1864), William Morris. Metropolitan Museum of Art, New York

Priming up the walls – on colour and confinement

Some choose their wallpaper, some have paint schemes thrust upon them… a decorative dérive through the history of colour and interiors

1 Apr 2020
Mirror Improvisation (2005), Joan Jonas.

Dragging out the HDMI cable – how to watch video art at home

Moving-image work seems particularly suited to our increasingly online existences

1 Apr 2020
Michael Sorkin.

‘The most humane, most incisive and most readable writer on architecture of the modern age’ – a tribute to Michael Sorkin

The critic and architect fervently believed that architecture should promote social justice

31 Mar 2020
Tomb of the Unknown Whore (No. 2) (1965), William N. Copley.

Sex and the city – William N. Copley in New York

The American artist fused Surrealism and Pop to create an eccentric – and highly erotic – style that was all his own

31 Mar 2020

Free advertising for initiatives to support artists and arts organisations during the Covid-19 pandemic

Apollo is offering free digital advertising for campaigns to support artists or arts organisations during the Covid-19 pandemic

31 Mar 2020

The Apollo 40 under 40 podcast: Mohamad Hafez

The Syrian-born, US-based artist talks to Gabrielle Schwarz about his sculptural dioramas of cities ravaged by war – and offers a message of hope for the future

31 Mar 2020
René Goscinny and Albert Uderzo in the late 1970s. Photo: STAFF/AFP via Getty Images

Ave atque vale – all hail the genius of Albert Uderzo’s Asterix

The late artist’s creations are magically expressive, the perfect accompaniment to Goscinny’s witty text. Getafix quick!

30 Mar 2020
The dining room of the Villa Majorelle, designed by Henri Sauvage (1873–1932) and built in 1901–02, with a fireplace designed by Alexandre Bigot (1862–1927) and stained glass by Jacques Gruber (1870–1936). Photo: S. Levaillant; © musée d’École de Nancy

‘Living in it would be delectable but exhausting’ – at the Villa Majorelle

The art nouveau house Henri Sauvage designed for the manufacturer Louis Majorelle has been restored to its richly decorated former glory

30 Mar 2020
Untitled (Village Street Scene)(1948), Beauford Delaney. Terra Foundation for American Art. © Estate of Beauford Delaney, by permission of Derek L. Spratley, Esquire, Court Appointed Administrator

‘Here is a man who could do whatever interested him in paint’ – on the paintings of Beauford Delaney

After a period of critical neglect the artist is at last in the ascendant, as his great friend James Baldwin always thought he would be

30 Mar 2020
Illustration by Leon Edler

Has LACMA lost its way?

As LACMA moves ahead with plans to demolish its four original buildings, is it time to reassess the project – or is it too late?

30 Mar 2020
Christo and Jeanne-Claude at The Pont Neuf Wrapped (1975–85) in 1985.

‘Freedom cannot be invented’ – an interview with Christo

The artist discusses his unorthodox methods, his long partnership with the late Jeanne-Claude, and finally being allowed to wrap the Arc de Triomphe

28 Mar 2020
The John Madejski Garden at the Victoria and Albert Museum, London.

‘The building is locked but toilets still need to be flushed’ – on closing the V&A

The museum has had to put its building to sleep – its galleries now populated by only security guards and ghosts

27 Mar 2020
The Yusupov Palace theatre, designed by Andrey Mikhailov in the 1830s,

Russian spark – the palace builders of St Petersburg 

A ritzy new book brings to life the eclectic tastes and unbridled opulence of aristocratic families in late imperial Russia

27 Mar 2020
Thomas McKeller (detail) (1917–21), John Singer Sargent. Museum of Fine Arts, Boston

‘Thomas McKeller was singular among Sargent’s pantheon of models’

What did it mean for a wildly successful artist to paint a black elevator operator in stuffy Boston society?

26 Mar 2020
Installation view of ‘Titian: Love Desire Death’ at the National Gallery, London.

Six paintings in search of an audience – on Titian’s poesie at the National Gallery

Bringing Titian’s great mythological works together at a time when few people would see them has been a bittersweet experience – but the paintings offer some consolation

26 Mar 2020