Now in its third year, the London fair blends fine art with a festival atmosphere that suits the season
In her depictions of the human form, the artist pushes paint to its limits, explains Sarah Howgate of the National Portrait Gallery in London
The idealised nude figure has an unshakeable place in art history, but artists have also turned their gaze to their own imperfect bodies
In this stylish polemic, the artist Hito Steyerl casts AI image-making as bland at best and exploitative at worst
The Duke of Richmond has been filling the grounds of his Sussex estate with sculpture, and the results are a breath of fresh air
Hiroshige’s playful prints conjure the landscapes of 19th-century Japan in jewel-like tones
With a slew of new projects and major government investment, the Emirati art scene is having a moment. This time, it looks set to last
A former monastery is an apt setting for the eerie installations of Janet Cardiff and George Bures Miller
The Virgin Queen was not known for her cookery skills, so why was she often painted holding a sieve?
Housed in Louis Kahn’s last building, the newly spruced-up Yale Center for British Art reframes Paul Mellon’s collection
Revisiting a meeting of the two Surrealists in Paris in 1939 sheds new light on the movement as a whole
The museum’s refurbished galleries of art from Africa, Oceania and the Americas now have the prominence they deserve
As the magazine marks its centenary, its belief in being curious about both the past and present – and in the power of art – is more important than ever
Nestled just south of the Pyrenees, Bodega Otazu is home to its very own ‘Catedral del Vino’, as well as a 2,000-strong collection of contemporary art
A look back at Apollo's commercial pages through the decades reveals shifts in consumer tastes – as well as some distinctly quirky offerings
This magazine’s first home, the Adelphi was both a neoclassical triumph and a financial disaster for ‘Bob the Roman’
High fashion meets fine art for the first time in an exhibition at the Paris museum. With so much to see, it‘s hard to know where to look
The Old Master was hardly alone among his contemporaries in being partial to a glass – or a bottle – of red
Robert Macfarlane is fascinated by a watery bronze by British sculptor Laurence Edwards
The Met takes the well-trodden story of chinoiserie over the centuries and gives it a welcome feminist twist
The distinctive London cinemas designed by George Coles in the 1930s were like Hawksmoor churches for the celluloid age
In his teeming depiction of animals about to enter the ark, Jan van Kessel put an inventive spin on an original by his grandfather, Jan Brueghel the Elder
Long overshadowed by art from the post-war period, the work of the preceding generation is attracting interest again
The artist modelled for Renoir, Toulouse-Lautrec and others, but her own sitters were afforded much more agency
