Deconstructivism wasn’t exactly a movement, but its practitioners – from Frank Gehry to Bernard Tschumi – certainly caused a great stir
The different approaches of the two great friends and rivals form a thrilling contrast when seen side by side
In 2015, the Californian artist spoke to Jonathan Griffin about the light and space installations that span his 60-year career
The return of the event shows that the capital remains a global hub for the market
Hettie Judah stops her ears to the endless chatter to find a painter whose work is full of flaws and self-doubt – and all the better for it
There’s more to art than subject matter – and it’s almost impossible to find anything shameful about a style
A reissue of the architectural critic’s guide to new buildings in the capital is just as fresh as it was 60 years ago
The founders of the firm Nason Moretti revolutionised the making of glass without compromising on its quality
Creativity often flouts conventions, so it’s no wonder more women want to become thoroughly monstrous
The Ashmolean’s new show vividly demonstrates how strong colours became a mainstay of 19th-century art
At the Steirischer Herbst festival in Graz, the spectre of nationalism and anxiety about borders haunted this year’s programme
The country is keen to rebrand by promoting its art and architecture – and the modernist buildings of its capital Tashkent are part of the plan
A 30m-long painting presents the Kiangxi Emperor touring southern China, says Clarissa von Spee of the Cleveland Museum of Art
Among the collector’s many objects is one of the most important holdings of antique textiles in private hands
A vineyard-meets-sculpture park in Franciacorta makes wine truly a multisensory affair
As museums face rising costs and lower grants, fundraising is more important than ever – but they have to be very careful where the money comes from
The dealer has made his name through antiquities, Old Master sculptures and modern British art – but when it comes to his own collection, it’s the Islamic world that sets his heart alight
The first Frieze Art Fair in 2003 made the capital cool again – but how much does it matter now, 20 years on?
The painter was no prodigy but, as Bart Cornelis of the National Gallery in London tells Apollo, he was soon making up for lost time with his bold brushwork
The painter was often forthright in his rejection of the old world – but it’s time to reconsider his European influences
The architect’s highly ornamented designs have more in common with the work of his European peers
Sameer Rahim is impressed by a 16th-century Iranian manuscript illustrating a Sufi poem of seduction and spiritualism
Kirsty Sinclair Dootson shows that a history of colour processes is also a history of shifts in society
