PREMIUM

Courtesy the Courtauld

The week in art news – Deborah Swallow to retire as director of the Courtauld Institute

Plus: Ukraine demolishes statue symbolising friendship with Russia and winners of the competition to renew the Barbican Centre announced

29 Apr 2022

The art of armour – uncovering the details of a Renaissance shield

Pierre Terjanian of the Metropolitan Museum of Art tells Apollo why a Renaissance pageant shield is such a beguiling work of art

28 Apr 2022

The restless spirit of Stephen Shore

In this memoir of sorts, the photographer gives us a masterclass in staying alert and fully alive to the everyday world

28 Apr 2022

When clothes really do make the man – ‘Fashioning Masculinities’ at the V&A, reviewed

Throughout the ages, and for better or worse, the clothes men have worn have been absolutely crucial, writes Rosalind Jana

28 Apr 2022

The painter who turned his eye upon the crowds of Paris

Louis-Léopold Boilly experienced his fair share of personal drama, but he had a rare gift for depicting the ins and outs of everyday existence

28 Apr 2022
Once Upon A Who (detail of a film still; 2021), Simon Fujiwara.

Around the galleries – Frieze hits New York, plus other highlights

A more local, intimate Frieze returns to the Shed – and Apollo picks out four of the best shows at London Gallery Weekend

28 Apr 2022
David

Details man – Donatello in Florence, reviewed

The sculptor’s boundless powers of invention are on full display in his hometown for this once-in-a-lifetime blockbuster

28 Apr 2022

What not to miss at TEFAF New York

TEFAF New York returns as a single edition this year, with antiquities, jewellery, design, modern and contemporary art all under one roof

28 Apr 2022

Lines of control – the story of Jackson Pollock’s drips

The American painter may be famed for a chaotic approach, but in reality he had complete command of his materials – and he owed his technique to a printmaker

28 Apr 2022
chesterfield house London

The rise and fall of Chesterfield House

Once one of London’s most impressive private palaces, the house successfully melded a mix of architectural styles but this wasn’t enough to save it from its fate

28 Apr 2022
Philip Guston Dawn

Mixed emotions – the uneasy art of Philip Guston

The artist’s motivations for painting hooded Ku Klux Klan figures were as complicated and unsettling as our reactions as viewers might be

28 Apr 2022
Mariupol maternity hospital

The changing face of war photography

The nature of modern conflicts and the demands of today’s media has led to a shift in the images produced by photojournalists

28 Apr 2022

Making progress in postwar Britain

This focused survey shows that artists after the war seemed more than ready to embrace the future

28 Apr 2022

Cult status – the idiosyncratic portraits of Glyn Philpot

The painter’s contemporaries saw him as a successor to Sargent, but his depictions of Black and queer subjects may stand out more today

28 Apr 2022
Marcela Correa sculptures

An elegant pairing of modern art and Chilean wine

Blending wine, art and hospitality, Viña Vik wine estate invites visitors to indulge in the totality of aesthetic pleasure

28 Apr 2022
Oba Ewuare II (right), receiving restituted Benin Bronzes from Aberdeen and Cambridge universities in a ceremony in February 2022.

Are frictions in Nigeria jeopardising the return of the Benin Bronzes?

With cracks appearing in the relationships of institutions in Nigeria, Barnaby Phillips wonders where the returned Benin Bronzes are going to end up

28 Apr 2022

Elizabeth David’s taste in Old Masters

Suspicious of photography’s ability to illustrate her colourful accounts of culinary history, food writer Elizabeth David looked to the Old Masters instead

28 Apr 2022
The exterior of Wentworth Woodhouse in Yorkshire, designed by Henry Flitcroft

How the Versailles of Yorkshire was saved from ruin

Wentworth Woodhouse, the largest stately home in England, has at last been restored to something of its former glory

28 Apr 2022
Jeremy Deller’s We sit starving amidst our gold (detail), on view at the Venice Biennale in 2013. Photo: Bertrand Rindoff Petroff/Getty Images

The art world’s problem with Russian money

As the number of global billionaires has ballooned, the art world has become increasingly reliable on questionable funds from Russia and elsewhere

28 Apr 2022
Sofonisba Anguissola portrait painting

Why aren’t more women artists gazing at men?

There is no great tradition of male nudes by women artists, but this underlines an asymmetry of power rather than a lack of female desire

28 Apr 2022

A shiny future for Hispanic silver

Silversmithing has had a turbulent history on the Iberian Peninsula. The market is quiet, but showing new signs of life, says Emma Crichton-Miller

28 Apr 2022

Forgotten artist Maeve Gilmore comes into her own

Maeve Gilmore thrived on the demands of domesticity – and her family is now on a mission to make her art much better known

28 Apr 2022

Is Tottenham Hotspur still clinging to the past?

Tottenham Hotspur’s new stadium has just celebrated its third birthday but despite its shiny facade, the club still projects a message of continuity and tradition

27 Apr 2022
Allies (1995), Lawrence Holofcener.

Why are so many public statues so disappointing?

The most successful public statues are more than mere three-dimensional versions of photographs plonked on plinths

5 Apr 2022