PREMIUM
The week in art news – Deborah Swallow to retire as director of the Courtauld Institute
Plus: Ukraine demolishes statue symbolising friendship with Russia and winners of the competition to renew the Barbican Centre announced
The art of armour – uncovering the details of a Renaissance shield
Pierre Terjanian of the Metropolitan Museum of Art tells Apollo why a Renaissance pageant shield is such a beguiling work of art
The restless spirit of Stephen Shore
In this memoir of sorts, the photographer gives us a masterclass in staying alert and fully alive to the everyday world
When clothes really do make the man – ‘Fashioning Masculinities’ at the V&A, reviewed
Throughout the ages, and for better or worse, the clothes men have worn have been absolutely crucial, writes Rosalind Jana
The painter who turned his eye upon the crowds of Paris
Louis-Léopold Boilly experienced his fair share of personal drama, but he had a rare gift for depicting the ins and outs of everyday existence
Around the galleries – Frieze hits New York, plus other highlights
A more local, intimate Frieze returns to the Shed – and Apollo picks out four of the best shows at London Gallery Weekend
Details man – Donatello in Florence, reviewed
The sculptor’s boundless powers of invention are on full display in his hometown for this once-in-a-lifetime blockbuster
What not to miss at TEFAF New York
TEFAF New York returns as a single edition this year, with antiquities, jewellery, design, modern and contemporary art all under one roof
Lines of control – the story of Jackson Pollock’s drips
The American painter may be famed for a chaotic approach, but in reality he had complete command of his materials – and he owed his technique to a printmaker
Mixed emotions – the uneasy art of Philip Guston
The artist’s motivations for painting hooded Ku Klux Klan figures were as complicated and unsettling as our reactions as viewers might be
The changing face of war photography
The nature of modern conflicts and the demands of today’s media has led to a shift in the images produced by photojournalists
Cult status – the idiosyncratic portraits of Glyn Philpot
The painter’s contemporaries saw him as a successor to Sargent, but his depictions of Black and queer subjects may stand out more today
An elegant pairing of modern art and Chilean wine
Blending wine, art and hospitality, Viña Vik wine estate invites visitors to indulge in the totality of aesthetic pleasure
Are frictions in Nigeria jeopardising the return of the Benin Bronzes?
With cracks appearing in the relationships of institutions in Nigeria, Barnaby Phillips wonders where the returned Benin Bronzes are going to end up
Elizabeth David’s taste in Old Masters
Suspicious of photography’s ability to illustrate her colourful accounts of culinary history, food writer Elizabeth David looked to the Old Masters instead
How the Versailles of Yorkshire was saved from ruin
Wentworth Woodhouse, the largest stately home in England, has at last been restored to something of its former glory
The art world’s problem with Russian money
As the number of global billionaires has ballooned, the art world has become increasingly reliable on questionable funds from Russia and elsewhere
Why aren’t more women artists gazing at men?
There is no great tradition of male nudes by women artists, but this underlines an asymmetry of power rather than a lack of female desire
A shiny future for Hispanic silver
Silversmithing has had a turbulent history on the Iberian Peninsula. The market is quiet, but showing new signs of life, says Emma Crichton-Miller
Forgotten artist Maeve Gilmore comes into her own
Maeve Gilmore thrived on the demands of domesticity – and her family is now on a mission to make her art much better known
Is Tottenham Hotspur still clinging to the past?
Tottenham Hotspur’s new stadium has just celebrated its third birthday but despite its shiny facade, the club still projects a message of continuity and tradition
Why are so many public statues so disappointing?
The most successful public statues are more than mere three-dimensional versions of photographs plonked on plinths
The rise and fall of Chesterfield House
Once one of London’s most impressive private palaces, the house successfully melded a mix of architectural styles but this wasn’t enough to save it from its fate