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Apollo

Ingres

Museo Nacional del Prado, Madrid

NOW CLOSED

The work of Ingres, only seemingly rooted in Academic painting, undoubtedly constitutes an important forerunner of the late 19th- and early 20th-century artistic revolutions. The heir to Raphael and Poussin, Ingres’ work anticipates both Picasso and anatomical distortion in art, inspiring the revitalisation of the 19th-century European art schools, particularly the Spanish.

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(1813; retouched by Raymond Balze in 1835), Jean-Auguste Dominique Ingres

The Dream of Ossian (1813; retouched by Raymond Balze in 1835), Jean-Auguste Dominique Ingres

(1819), Jean-Auguste Dominique Ingres

Ruggiero rescuing Angelica (1819), Jean-Auguste Dominique Ingres

(1814), Jean-Auguste Dominique Ingres

Grande Odalisque (1814), Jean-Auguste Dominique Ingres

Jean-Auguste Dominique Ingres

The Forestier Family Jean-Auguste Dominique Ingres

(1806), Jean-Auguste Dominique Ingres

Napoleon I on his Imperial Throne (1806), Jean-Auguste Dominique Ingres

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