As the Berlinische Galerie marks its fortieth anniversary, the exhibition “Max Beckmann and Berlin” will focus for the first time attention on the decisive role the city played in the artist’s work. The art historian Julius Meier-Graefe, a contemporary of Beckmann’s, succinctly summed up the relationship between the artist and the city in 1924: “Max Beckmann is the new Berlin.”
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Quappi mit Papagei (Quappi with Parrot) (1936), Max Beckmann © VG BILD-KUNST Bonn, 2015
Die Straße (The Street) (1914), Max Beckmann © VG BILD-KUNST Bonn, 2015
Selbstbildnis Florenz (Self-Portrait in Florence) (1907), Max Beckmann Photo: Elke Walford © VG BILD-KUNST Bonn, 2015
Selbst im Hotel (Self-Portrait in the Hotel) © VG BILD-KUNST Bonn, 2015, Repro: Kai-Annett Becker
Double Portrait of Max Beckmann and Minna Beckmann-Tube (1909), Max Beckmann © VG BILD-KUNST Bonn, 2015
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