Edward Behrens is editor of Apollo.
Piling into an exhibition hall to see as much art as possible in a short space of time is few people’s idea of a good time, but the most resourceful fairs provide some worthwhile surprises
Jeffrey Deitch’s pleasingly homely booth at Art Basel this year reflects the tastes of a new generation of buyers – but is the loss of connoisseurship a price worth paying?
Peter Hujar and Paul Thek offer a lesson in the art of appreciation at Loewe’s menswear show in Paris
With cancelled sales and market uncertainty, Christie’s and Sotheby’s have been taking hammer blows in recent months – but it’s not just a London problem
Museums often have a responsibility to reflect major events, but should be careful not to disregard seemingly smaller stories
It’s becoming increasingly difficult to tell whether the finalists of the annual Craft Prize are artisans aspiring to art, or artists getting crafty
It seems as if arts criticism is becoming a treat for political journalists – but perhaps the job should be treated a little more seriously
From the recent history of Timor-Leste to world-building in Bulgaria, this year’s shows present a rich and varied cross-section of contemporary art from around the world
Despite the painstaking research that underpins the artist’s work, there’s nothing dry about its outcomes – as visitors to the Canadian Pavilion in Venice will discover
There’s a thin but fluid line between fine art and fashion for the artist who is now making accessories for Loewe
