As his 24-hour film The Clock returns to MoMA, Christian Marclay talks about working with sound and images – and bridging the divide between the two artistic worlds
New York-based collectors Domenico Lanzara and Sean Imfeld speak to Apollo about their obsession with Old Master drawings
The artist has pursued her interest in light, motion and myth across drawing, sculpture and performance for six decades, but it's her openness to new ideas that really defines her work
When working in her suntrap of a studio in Rome, the artist enjoys people-watching, listening to jazz and admiring an antique manhole cover made of travertine
As the cutting-edge arts organisation in south London turns 30, Joe Scotland talks to Apollo about class, community and contemporary art
The social historian who bought the David Parr House in Cambridge finds herself drawn to fantastical interiors in unexpected settings
James Trotman, who coaches Britain’s current #1 tennis player, talks to Apollo about his love of modern British painting and why art and tennis are a good match
Creating the sets for plays at the National Theatre, the Barbican and the Royal Court is no mean feat. The German-born set designer speaks to Apollo about how she works her magic
The painter has turned his hand to virtual reality, using cutting-edge technology to pursue ‘a painter’s idea of sculpture’. He talks to Apollo about the attractions of VR
Taking photographs as a starting point, the artist unearths the hidden connections between European colonialism and modern-day Africa
The seventh-generation basketry artist is bringing new dynamism to an ancient craft
The Mexican artist, known for his woven works that borrow from folk-art traditions, listens to Bach and Rosalía while working in his studio in Colonia Roma, Mexico City
The artist observes a long working day in her studio in Harringay, but enjoys listening to bashment, riding her Peloton and thumbing through books by Kerry James Marshall
The pioneering video artist has died at the age of 73. In this interview from our March 2014 issue, he talked to Apollo about how his work grapples with some of life’s biggest questions
The artist has all she needs in her capacious studio in Sydney, where her artist partner, some audiobooks and a Mexican papier-mâché skeleton keep her company
Ahead of his Tate Britain commission, the artist tells Apollo about being inspired by Tupac and Cy Twombly and wanting to involve communities in everything he makes
The influential Sami artist talks to Apollo about how she has always woven politics and protest into her work
The museum’s head of framing, Peter Schade, is quietly changing how we see some of the world’s most famous pictures
The artist finds solace in Annie Ernaux and a booming Tibetan sound bowl while working on his playful sculptures in the Austrian countryside
The artist takes inspiration from Billie Holiday, El Greco and a pair of old Indian puppets when painting large-scale canvases in his East London studio
Despite the painstaking research that underpins the artist’s work, there’s nothing dry about its outcomes – as visitors to the Canadian Pavilion in Venice will discover
The director of the 2024 Biennale talks to Apollo about the challenges the event faces and why he is sanguine about the changing political tides
When he’s not using stadiums to realise his visions, the artist welcomes all manner of visitors, from school kids to tuk-tuk drivers, in his studio-cum-gallery in northern Ghana
Betty Sims-Hilditch explains how a background in set design and a commitment to emerging artists inform her new roaming gallery project, Artground
