Reviews
How Egon Schiele saw the world
In his paintings of landscapes and townscapes, the artist created scenes that are as psychologically complex as his portraits
The manly art of Gustave Caillebotte
The French painter was unusual among his Impressionist peers for preferring to depict men at work and at play
Dominique White plumbs the depths of history
An exhibition of work by the winner of the Max Mara Art Prize hints at the horror of the transatlantic slave trade
A fitting tribute to Dior
An imaginative exhibition in The Hague stresses how much the fashion house still owes to its founder
On Kawara, serial dater
Best known for the thousands of works in his ‘Date Paintings’ series, the Japanese artist has never been more of an enigma, as a pair of shows in London and Paris reveal
Lucy McKenzie gets to grips with reality
In a major new exhibition, the artist has created a world in miniature, full of panoramic views, trompe l’oeil murals and imitations of everyday life
Mark Bradford keeps on testing the limits of painting
In a show at the Hamburger Bahnhof in Berlin, the American artist keeps pushing at the boundaries of abstract art
The ghoulish genius of James Ensor
The painter is usually regarded as an eccentric one-off, but an anniversary season in Antwerp places him firmly among the European avant-garde
The Maori artist remapping New Zealand’s landscape
Cora-Allan revives traditional techniques and materials in her thoughtful meditations on the myths and history of her home country
When London had a much richer interior life
A new book by Steven Brindle lovingly catalogues the lavish interiors that could once be found in London’s grandest houses but are now lost
What the shape of things to come once looked like
Glenn Adamson’s new book explores how predictions about the future have always spoken volumes about the present
The art of crossing continents – ‘Silk Roads’ at the British Museum, reviewed
An exhibition about the civilisations that could be found along the trade route connects cultures at every turn, writes Sameer Rahim
The animal instincts of Jacopo Bassano
In his striking pastoral and biblical scenes, the 16th-century Venetian painter turned beasts into sensitive protagonists
Pierre Bonnard’s world of interiors
The painter’s vibrant domestic scenes are full of revealing details – and so is Isabelle Cahn’s weighty new biography of the painter
Cutting and pasting through the ages
A new history of collage around the world is at its best when revaluing the work of women, writes Samuel Reilly
The intensely felt art of Elisabeth Frink
From her early associations with the ‘Geometry of Fear’ school of sculpture, Frink went on to evoke any number of strong emotions
Style and substance – in defence of trompe l’oeil
The genre has often been seen as shallow, but the best examples display philosophical depth as well as technical flair
Street cred – Peter Doig gets urban at Gagosian
The painter has curated a show of street scenes, by the likes of Balthus and Bacon, which suggests that the city is an isolated place
The art nouveau offshoot that transformed Munich
Young artists and designers turned the city into a hive of creativity in the late 19th century – and their spirit can still be felt today
The Catholic nun who believed in protest art
A show of photographs and Pop art-inspired prints by Corita Kent displays the artist’s fun side but plays down her political fervour
In Mati Diop’s ‘Dahomey’, restitution is given a supernatural slant
A prize-winning documentary about France’s return of 26 looted objects from Benin is a haunting tale
The arresting satire of Sigmar Polke
The artist’s depictions of life in West Germany after the war are playful in form but deeply sarcastic under the surface
Close encounters of the miniature kind
Photography largely wiped out the trend for miniatures, but the genre still says much about how we relate to images today
When London’s sleepy art trade was jolted wide awake
An insider account by a former head of Sotheby’s in the UK recounts how London’s post-war art market took off in the 1950s and has kept on reinventing itself
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What happens when an artist wants to be anonymous?