Reviews
Of Meissen men – the brittle business of porcelain
An ambitious new book scrutinises the production of ‘white gold’ in Europe – from its early alchemical mysteries to your everyday crockery
With his cryptic clusters of images, Aby Warburg remapped the art of the past
Warburg brought together Greek gods and golfers, antiquities and airships – and in reconstruction, his puzzling arrangements of images are as suggestive as ever
Are Goya’s Black Paintings really the work of a madman?
A new biography of Goya puts paid to the romantic fiction that the Spanish master ended his days isolated and insane
A famously private Roman collection finally gets a public outing
The Torlonia marbles make for the greatest private collection of Roman antiquities in existence – and they’re finally on view to the public
The Dig is a film to treasure
Ralph Fiennes and Carey Mulligan shine in the story of the Sutton Hoo discovery
Dante has stumped many an artist – but these delicate drawings are truly divine
Federico Zuccari’s illustrations of the Divine Comedy have seldom been shown. But the Uffizi has put them online – and Dante’s poem has never looked better
John Lurie’s grumpy painting is a joy to behold
The crotchety cult legend is giving art lessons on TV – and it’s all surprisingly charming
The Italian statesman who redefined Renaissance art
Giovanni Morelli was a complex character, as attentive to the state of the Italian nation as he was to its art
The man who brought Hollywood’s fantasies to life
Without Ray Harryhausen’s stop-motion models, science-fiction films wouldn’t look like they do today
Fran Lebowitz loves New York more than you do
The city’s most devoted citizen explains urban life to Martin Scorsese
Ralph Steadman fully deserves his place in the history of art
In his skewering of authority figures, Ralph Steadman bears comparison with some of the great artists of modern times
Gordon Parks’s photographs bear powerful witness to Black lives in America
The photographer’s images of the struggle for civil rights are as relevant as when they were first made
In 18th-century Europe, bizarre oranges and lemons were collector’s items
Weird and wonderful citrus fruit were once highly prized possessions – and one German fanatic made prints of the hundreds of varieties he laid his hands on
The real secret London? It’s down in the river mud
The muddy foreshore of the Thames has been an unlikely treasure trove for amateur archaeologists
Period pieces – the fashion for putting dates on domestic objects
From commemorative wares to ordinary utensils, inscribing dates on household objects was once common practice
Jennifer Packer’s paintings pack a punch at the Serpentine
The artist’s powerful canvases are full of detail but never shy away from the bigger picture
Trouble in paradise – Michael Armitage at the Haus der Kunst, reviewed
The artist’s complex depictions of Kenya present scenes of violence alongside moments of beauty
Miniature painting enters the modern age
For the artists in this exhibition at the Pera Museum, a traditional form turns out to be ripe for reinvention
‘This is a wildflower meadow of an exhibition’ – a paean to plants at Dulwich Picture Gallery
A survey of 180 years of botanical photography proves that the art form continues to flourish
Scandi style – Anders Zorn’s visions of Sweden
The painter, who enjoyed a glittering international career, was as fascinated by high society as he was by Sweden’s rural life
Spanish pointers – Rosalind Nashashibi at the National Gallery
During a residency at the gallery, the artist has made works inspired by the drama of Spanish Golden Age painting
The agony and the ecstasy – Tracey Emin and Edvard Munch at the RA, reviewed
This triumphant double bill brims with emotion – from the pain of loss to the pleasures of beauty
Fantasy land – a guide to English follies
A personal guide to the playful structures has much in common with its whimsical subject
Prince Albert’s passion for Raphael
When it came to cataloguing the Royal Collection’s holdings of the Old Master, only the latest technology would do for the Prince Consort
Do portraits have an image problem?