The inaugural edition of START Art Fair at Saatchi Gallery looks set to become a positive new addition to the art fair calendar
The Mauritshuis masterpieces are back in place in The Hague, and the newly-restored and extended building has opened its doors
The Whitney says goodbye to its old building with balloons, by the world's most expensive living artist...
A jewel box of an exhibition that opens up important questions about celebrity, patronage and sculpture
From folk art to minimalism... a round-up of recent reviews from the Muse Room
Do Nasreen Mohamedi's drawings at Tate Liverpool better reflect modernist camouflage experiments that Carlos Cruz-Diez's dazzle ship?
How do you exhibit architecture? These pavilions from Venice's Architecture Biennale pass the test
The 14th International Architecture Exhibition is open in Venice. Rem Koolhaas has made some alterations to the usual plan...
David Hockney, Yinka Shonibare, Grayson Perry and Jessie Brennan update Hogarth's 'A Rake's Progress'
A number of the architect's prized models are back on prominent display in Sir John Soane's Museum
The charm and whimsy of 'British Folk Art' at Tate Britain isn't at the expense of rigorous analysis
Plus ça change, plus c’est la même chose... the Jewish Museum revisits its seminal 1966 exhibition of minimalist sculpture, again
A round-up of recent reviews from The Muse Room
The reopening of Farnborough's flight testing centre is one of the most unusual and remarkable art projects in recent years
Taken on their own, Varejão's drawings lack the sinister, seductive appeal of her other work
It won't pull in the crowds, but this niche exhibition rewards those who do visit
The Metropolitan Museum celebrates what is arguably England's most lyrical and seductive contribution to the fine arts in this focused show
Bill Woodrow and Richard Deacon's collaborative glass sculptures are interestingly out of place in the Wiltshire countryside
A round-up of the week's reviews
It was an interesting broadcast, but Tate's tour around its Matisse show gained little from being 'live'
Baccio Bandinelli is arguably the least loved major artist of the Renaissance. This is the ideal opportunity to reconsider his achievement
Richard Long continues to tread his own well-worn path, with a few ill-advised Romantic detours, in his latest London show
Phyllida Barlow's drawings are every bit as good as her sculptures
Piet Mondrian's path to abstraction was a colourful one
