Apollo

Is the system for protecting historic buildings working?

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The procedures for protecting England’s historic buildings are now 70 years old. Is the system still fit for purpose?

How to look at Mexican Old Masters

Self-Portrait, (detail), (1719), Juan Rodriguez Juárez, Museo Nacional de Arte, Mexico City,

The painters of New Spain have been misunderstood for centuries, but their work seems to be entering the mainstream at last

Urs Fischer’s bonfire of the vanities in Florence

Two wax sculptures of art impresarios were ceremonially lit today in Florence’s Piazza della Signoria

Native American artefacts transferred to Peabody Essex Museum

Art news daily : 22 September

Mrs May’s sermon from hell

Theresa May is outlining her vision for Brexit in Santa Maria Novella in Florence. Where did she get the idea?

In praise of monumental cemeteries

The monumental cemetery of Staglieno, Genoa, from a postcard produced in or around the 1920s

The vast cemeteries built in 19th-century Italy can still tell us much about civic pride

Thomas P. Campbell joins board of directors at LA’s Broad

Metropolitan Museum director Thomas P. Campbell (pictured here speaking at the opening of the exhibition 'Manus x Machina' in 2016), has been awarded the second annual Getty Rothschild Fellowship.

Art news daily : 21 September

The monument that has Muscovites staring down the barrel

Trigger warning: not all Muscovites are crazy about Kalashnikov

A statue of the inventor of the Kalashnikov assault rifle has been erected in Moscow

Florence’s art and antiques fair is on fine form

An Allegory of Love (c. 1520), Bernardino Licinio. Robilant + Voena (€750,000)

The Biennale Internazionale dell’Antiquariato di Firenze has upped its game under Fabrizio Moretti’s leadership

Martin Parr gets an all-access pass to Oxford

Wadham College. Queerfest (2014), Martin Parr, © Martin Parr/Magnum Photos

The photographer takes us on an idiosyncratic tour of Oxford University and introduces us to some of the remarkable individuals behind the scenes

Gillian Wearing reveals design for suffragist statue on Parliament Square

Artist Gillian Wearing with a model of her statue of Millicent Fawcett. Photograph: Caroline Teo/GLA/PA

Art news daily : 20 September

The Rake’s progress: last week in gossip

A Twitter tussle between two London museums, gallery doppelgangers, and Howard Hodgkin’s taste in television

The exhibitions not to miss in Istanbul

Still from Interregnum (2017), Adrian Paci. Courtesy kaufmann repetto, Milan, New York, Protocinema, Istanbul, New York

With the Istanbul Biennial comes a host of exciting satellite exhibitions around the city

$250,000 Gish Prize goes to Meredith Monk

Art news daily : 19 September

Bring back the Met’s art and antiquities squad

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The closure of an entire unit, specialising in the policing of a complex but valuable part of our national economy, must be wrong

How the Pre-Raphaelites reflected on the past

Venus' Mirror, (1873–77), Edward Burne-Jones.

What did the Pre-Raphaelite painters see when they looked at the Old Masters – and how did they use what they saw?

Martin Parr is opening a photography centre in Bristol

Art news daily : 18 September

‘The river’s debris is my pleasure and obsession’

Georgian watch winder with moulded figures on either side, discovered on the Thames foreshore. Photo: Florence Evans

When treasures wash up on the banks of the River Thames, London’s mudlarkers are ready to find them

Rachel Whiteread’s conspicuous absences

Untitled (Pink Torso) (1995), Rachel Whiteread. Courtesy the artist and Gagosian. © Rachel Whiteread. Photo: © Tate (Seraphina Neville and Marke Heathcote)

The artist’s ongoing record of what was not there becomes more thought-provoking as time passes

Why the Museum of London is going down the drain

A vast ‘fatberg’ is obstructing the sewers of East London – and the Museum of London wants to get hold of a piece

Geometry, pastries and paint: an interview with Wayne Thiebaud

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Wayne Thiebaud, photographed in front of Fields and Furrows (2002), in 2013. Photo: Sacramento State/Mary Weikert

‘I started painting these triangles and turning them into pies. I thought, “My God! I’m done in! Nobody will ever take me seriously!”’

Bruegel goes digital

Could virtual tours of artworks change the way we experience art – and is this technological approach worth welcoming?

Documenta team defends its financial management

Art news daily : 15 September

The beauty of baggage reclaim

Absolute belter: Rijksmuseum highlights in the Schipol baggage hall

The Rijksmueum has reopened its gallery at Schipol airport – and there’s a special treat in the baggage hall to mark the occasion