Apollo

Civic virtues and vices in Renaissance Siena

One of history’s most mysterious political paintings might hold lessons for our own time – if we could make out the meaning

A brief history of Apollo’s cameo appearances

A personal tally of finding the magazine’s readers in films, television and fiction – and among the Rolling Stones

Up and away – the art of the Ascension

Depictions of Christ’s ascent to heaven often manage to be both deadly serious and upliftingly silly

Vanessa Bell deserves higher billing in the Bloomsbury Group

It was the painter’s misfortune to be surrounded by writers whose accounts of her have been too dominant for too long

Amédée Ozenfant, the purest of the Purists

The French artist believed in his paintings being stylistically uniform and infinitely replicable – an idea that, a century on, has not done him any favours

Why Gertrude Stein’s home was the first museum of modern art

In Paris, the American writer and her siblings were early patrons of the likes of Matisse and Picasso, making their Left Bank apartment a magnet for art lovers

Has the QR code had its day?

Though museums use them to provide more information, QR codes can conceal as much as they reveal

Commemorative ceramics: not just for special occasions

Collectors of ceramics marking great battles, royal weddings and even Acts of Parliament are rare but dedicated

The Basque Country vineyard with an altar to wine

Nestled just south of the Pyrenees, Bodega Otazu is home to its very own ‘Catedral del Vino’, as well as a 2,000-strong collection of contemporary art

The fine art of magazine advertising

A look back at Apollo’s commercial pages through the decades reveals shifts in consumer tastes – as well as some distinctly quirky offerings

How Robert Adam brought Diocletian’s palace to the Thames

This magazine’s first home, the Adelphi was both a neoclassical triumph and a financial disaster for ‘Bob the Roman’

Venice Biennale to follow Koyo Kouoh’s vision

Plus: lost Mayan city discovered in Guatemala, and investment company set to buy Artnet and take it private

The Louvre puts on its first fashion show

High fashion meets fine art for the first time in an exhibition at the Paris museum. With so much to see, it‘s hard to know where to look

Coming soon, everywhere: International David Lynch Day?

On 18 June, you can eat in a Twin Peaks’-themed diner, see David Lynch’s art in Prague – and bid on the director’s very own coffee machine

Design and Disability

The V&A tells the story of how disabled, deaf and neurodivergent people have shaped and inspired modern design over the last 80 years

Camille Claudel and Bernhard Hoetger: Emancipation from Rodin

In Berlin, the Alte Nationalgalerie’s restaging of a 1905 exhibition in Paris shows how both artists were developing their own sculptural languages

Face to Face: 19th-century Austrian portrait painting

Salzburg’s DomQuartier presents portraits by painters who were forced to get more creative after the advent of photography

Marlene Dumas: Cycladic Blues

The artist pairs her paintings of eerily abstracted faces and bodies with archaeological objects from the Museum of Cycladic Art in Athens

Audio gets visual at the Barbican this summer

‘Feel the Sound’ makes imaginative use of the brutalist building to convey the power of sound, but sometimes silence can be just as effective

Four things to see: Myths and legends

To commemorate the anniversary of the death of Peter Paul Rubens, who frequently depicted mythological characters, we look at four artworks that bring classical tales to life

Wining and dining with Duccio

The Old Master was hardly alone among his contemporaries in being partial to a glass – or a bottle – of red

Why it’s time to stop rediscovering Eileen Gray

The designer was a genius but, as a new film shows, her achievements still have to be untangled from the men who kept getting in her way

The Department of Culture badly needs a sense of direction

Recent denials that the department for culture, media and sport is for the chop don’t address the problem of its glaring lack of purpose

Face to face with Oliver Osborne

The artist talks to Apollo about how paint can conceal any number of mysteries in a seemingly straightforward portrait