An introduction from the curators
The artist’s late work was truly ahead of its time
We asked him to sum up the challenges and opportunities facing the sector today
Gursky’s work is on display at Sprüth Magers and White Cube Bermondsey
The works, which were created by Warhol in 1985, were trapped on obsolete floppy disks
The Spring Show NYC is relaunched this year as Spring Masters, with work from antiquity to the 20th century on display
The really magnificent thing about Veronese is his eye for incidental detail
Extract from our April Diary featuring the director of Birmingham’s Ikon gallery, Jonathan Watkins, on the museum’s upcoming 50th anniversary
A round-up of the week’s reviews: Hindu-Buddhist sculpture, Yelena Popova, Richard Wilson, and contemporary art in Azerbaijan
Print collecting, digital catalogues and curator chic… some of the discussions on the blog this week
‘Building the Picture’ is accompanied by the National Gallery’s first fully digital catalogue
Highlights from the gallery’s upcoming exhibition of Italian Renaissance painting
Éva Chadwick talks to Apollo about the Lynn Chadwick centenary celebrations
The Art Fund Museum of the Year 2014 shortlist has been announced
‘Primary Structures’ in 1966 featured minimalist sculptors from the US and UK. This revisionist revival looks further afield
Anita Klein discusses her work with the specialist printmakers at Advanced Graphics
‘Slipstream’, Steve McQueen and sex in art… Some of the stories that have caught our eye this week
Ben Luke on the phenomenon of artist as print collector – what makes the medium so seductive?
‘British Surrealism Opened Up’ gives a history of the movement from its beginnings in Paris to its arrival in Britain
Packed with treasures, this exhibition will be hard to top
Europe’s largest print fair opens on 24 April at London’s Royal Academy
Richard Wilson’s Slipstream at London’s Heathrow airport is a ‘sculpture of movement’
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