Our April cover features a photograph of Matisse. He is ensconced in cut-out design, intent on working the line
Gurlitt’s extraordinary cache of art, much of which is being investigated as possible Nazi loot, is bigger than we thought – again
French artist Camille Henrot’s first solo UK exhibition at Chisenhale Gallery is like asking a question and receiving a million answers
A round-up of the week’s reviews: Paris, paintings, and two very different types of print
The Architecture Foundation’s latest display looks at models of sustainability in architecture. Are visual artists keeping up?
Maurice Davies on museum funding, Daisy Dunn on Pompeii’s stolen fresco, and other stories from the Muse Room this week
Grayson Perry is the first visual artist to receive the honour. He must be getting used to making that claim.
‘Art and the Religious Image in El Greco’s Italy’ gives an insight into one of most notoriously misunderstood painters of all time
A winningly eccentric exhibition of contemporary painting
The museum omitted Chinese artefacts from a history of homosexuality
Announcements from the Venice Biennale, Manifesta 10 and Documenta, plus other art world stories from the past week
This morning, UK Culture Secretary Maria Miller introduced a new series of commemorative arts commissions
The UK government’s Cultural Gifts Scheme is a nice idea, but most museums already have more work than they know what to do with
The chiaroscuro woodcut prints in this exhibition are technically brilliant and visually beautiful. The only thing they lack here is context
Entrepreneur Karlheinz Essl hopes to sell his private collection to Austria, to save 4000 jobs at his company
Marville found glimpses of the Romantic sublime in Haussmann-era Paris. His photographs at the Met are not to be missed
Highlights from the upcoming ‘Designs of the Year 2014’ exhibition at the Design Museum, London
In Apollo’s March issue we previewed Salon du Dessin, which opens tomorrow at the Palais de la Bourse, Paris
How do you like your Georgians? William Kent’s designs come with a liberal coating of gilt
What does it mean to be selected for TEFAF’s yearly Showcase of promising new galleries?
The theft of part of a minor fresco in Pompeii is not in itself a huge loss, but it highlights wider security and conservation issues
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BLAST: Wyndham Lewis and Vorticism, 100 years on
Launched just months before the outbreak of war, Vorticism was ill-timed and short-lived. But it’s a vital chapter in the history of British art