Malcolm Rogers, the director of the MFA Boston, has announced that he is to retire
Answer a simple question for a chance to win ‘Titian and the End of the Venetian Renaissance’ by Tom Nichols (Reaktion Books, £49)
‘Makin’ lit’ry his-tor-y…’ Founded in 1967, Enitharmon Press is flourishing, and has adapted its publishing profile in recent years
A selection of works on show in ‘Keywords: Art, Culture and Society in 1980s Britain’, which opens today at Tate Liverpool
Our round-up of stories from the week: trouble in Sydney as artists speak out against the Sydney Biennale’s main sponsor
‘Art & Life’ is a touring exhibition, but Kettle’s Yard is clearly its spiritual home
Following MoMA’s expansion plans, is it time to ask whether large museums should look beyond themselves?
On 20 February the Independent posted an article explaining how Banksy murals are removed: the next day, somebody had a crack at it.
Hamilton never shied away from blatancy and delighted in mischievous shock and awe on his own terms
Guggenheim Abu Dhabi is to be built on the site in the United Arab Emirates
All eyes on the Mauritshuis… a striking detail from Rembrandt’s ‘The Anatomy Lesson of Dr Nicolaes Tulp’ features on this month’s cover
The artist has been given the run of the place, making and placing 18 works, as she put it to me, ‘wherever I could connect with something.’
Apollo picks some of the best examples of stained glass windows from around the world
The $40 million suit argues that by labelling around 80 works as fake, the foundation destroyed their value
Jill McManners’ watercolours of the forbiddingly beautiful Shiant Isles look compellingly out of place in central London
Creed asserts himself over the Hayward Gallery’s spaces and his presence is never entirely benign
Four nominees have been announced for the 2014 Marcel Duchamp Prize, the French equivalent of the UK’s Turner Prize
Our weekly round-up from the Muse Room: art in the rubbish bin; a president’s apology; and the great ideas behind art and design
The RMG’s self-reflective conference looked at how contemporary art can contribute to historic contexts
Now here’s a thorny discussion around art, value and vandalism…
Alix Collingwood introduces mima’s latest exhibition of art and design in post-war Britain
A selection of works on show in ‘Art and Optimism in 1950s Britain’, which opens today at MIMA
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Flip Charts: Flipping art in contemporary auctions
Trophy works by hot young artists are frequently sold repeatedly in a short space of time. What does it mean for the art market?