Nicholas Thomas introduces an eclectic new exhibition, ‘Discoveries’ at Two Temple Place
One set of Van Gogh’s Sunflowers was popular enough – it’s worth braving the crowds at the National Gallery to see two side by side
Should the public have a say in exhibition programming? The MFA in Boston seems to think so…
The votes are in: these are the 10 most popular Impressionist pieces at the MFA Boston. Pick a favourite…
Our February cover ties in with Katy Barrett’s feature article on the resurgent interest in the cabinet of curiosities…
A selection of this week’s musings. January always feels rather sleepy, but there’s a sense this week that 2014 is finally under way…
‘I do not want art for a few any more than education for a few, or freedom for a few’. The William Morris Gallery hosts Jeremy Deller’s playful, provocative, politicised art
Digital work by the likes of Michael Craig-Marin, Matthu Placek and David Michalek is changing the face of contemporary portraiture
James Robertson’s haunting 19th-century photographs are currently on display in Istanbul, the city that inspired them
Sandra Hindman, the owner of Les Enluminures, speaks to Apollo about medieval manuscripts and her own (modern) collection
How do you open a private collection up to the public? A recent symposium at the Courtauld Institute looked at the topical issue
Amina Wright introduces ‘Joseph Wright of Derby: Bath and Beyond’ at the Holburne Museum
Exiled from their deserted piazzas, Giorgio de Chirico’s sculptural figures lack the uncanny appeal of his paintings
A round-up of the highlights from this year’s contemporary projects at the London Art Fair
Liz Gilmore speaks to Apollo about the Jerwood Gallery in Hastings – a new addition to a network of South East coastal galleries in the UK
‘A pleasure to view as well as read’, this week’s competition prize is ‘The King’s Pictures’ by Francis Haskell
Miguel Falomir introduces ‘The “Furias”: Political Allegory and Artistic Challenge’ at the Prado, Madrid
This Saturday Apollo hosts a panel discussion at the London Art Fair on ‘Building and the Landscape in Modern British Painting’
‘A World of Private Mystery: John Craxton’ at the Fitzwilliam Museum celebrates the artist’s ‘unfashionably happy’ late paintings
Art and archaeology aren’t neat categories at the best of times. At the Metropolitan Museum of Art, they’re allowed to overlap
How do we value a work of art that is defaced, incomplete or fake? Is its damaged history actually its greatest asset?
Castiglione’s works at the Queen’s Gallery skilfully emulate, but never quite live up to, those of his more famous contemporaries
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All Change at the Ashmolean Museum
Alexander Sturgis will take over from Christopher Brown as the Ashmolean Museum’s director in October 2014…