The Week’s Muse: 22 March
Lost, stolen, restored, repackaged and photographed: a round-up of art news and debates from this week
Lost, stolen, restored, repackaged and photographed: a round-up of art news and debates from this week
Are the rules governing photography in many major museums just too confusing?
In Apollo's March issue we spoke to Michael Craig-Martin ahead of his exhibition at Chatsworth House
We asked 10 galleries at TEFAF to pick out their personal highlights
It's been billed as 'the broadest and most diverse' Whitney Biennial to date, and the enormous variety of this year's display is no bad thing
'There’s nothing particularly radical or subversive in ridiculing the classical'. Matthew Darbyshire discusses art history, appropriation, contemporary clichés
Some of Maastricht's masterpieces are easily overlooked
Ruination is a condition of modern life. An exhibition at Tate Britain explores its enduring appeal
A roundup of highlights from Asia Week New York which runs from 14–22 March
A look at some of the outstanding satellite shows being staged alongside TEFAF
A finely honed selection of masterpieces of European art
Meditative and mysterious, Bill Viola's video work asks timeless questions
This thoughtful and thought-provoking exhibition gives the war a human face
Apollo's March Forum asks what should be done with 'fake' paintings
Something had clearly gone very right at Art13 last year – Art14, its successor, was positively rammed on its opening night
Putting together a new fair is a challenge – it needs to have a distinctive direction to it
Malcolm Rogers, the director of the MFA Boston, has announced that he is to retire
Trophy works by hot young artists are frequently sold repeatedly in a short space of time. What does it mean for the art market?
Jill McManners' watercolours of the forbiddingly beautiful Shiant Isles look compellingly out of place in central London
Our weekly round-up from the Muse Room: art in the rubbish bin; a president's apology; and the great ideas behind art and design