News

Installation view of ‘Henrike Naumann: Das Reich’ at Belvedere 21, Vienna, 2019.

Fascism and furniture – the dystopian spaces of Henrike Naumann

Naumann’s new installation imagines an alternate past in which the German Reich was re-established after the fall of the Berlin Wall

11 Nov 2019
Joe Pesci as Russell Bufalino, who is clearly an art lover, in Martin Scorsese’s The Irishman (2019).

Prop appeal – Martin Scorsese’s neoclassical stylings

A painting ‘in the style of‘ Hubert Robert catches Rakewell’s eye in a still from Scorsese’s new movie, The Irishman

8 Nov 2019
Abraham Lincoln and Queen Victoria (early 20th century). Museum of Fine Arts, Boston

Acquisitions of the month: October 2019

Collections of hand-drawn postcards, quilts, and 18th-century French bindings are among this month’s highlights

7 Nov 2019
Stefan Adegbola as Poggio di Chiusi, Hiran Abeysekera as Leonardo da Vinci, and Dickie Beau as Sandro Botticelli in Botticelli in the Fire at Hampstead Theatre, London, 2019.

Friars and bonfires in Renaissance Florence – Botticelli in the Fire, reviewed

What prompted Botticelli to become a follower of Savonarola? Jordan Tannahill’s arresting play casts historical accuracy aside in the quest for answers

6 Nov 2019

Fine Arts Paris and beyond – what’s in store in the French capital this month

The fair underscores its links with the museum world in its third edition. Plus highlights from Paris Photo and Also Known as Africa

6 Nov 2019
Ciaran Carson.

Still lifes and Belfast streets – remembering Ciaran Carson (1948–2019)

The poet, translator and musician was also a passionate observer – and recorder – of the visual world

5 Nov 2019
The remains of Shuri Castle in Okinawa, Japan, after the fire on 31 October 2019.

The loss of Shuri castle is a devastating blow for the people of Okinawa

Destroyed during the Pacific War and restored in 1992, the castle was the pride of Okinawa. Now a fire has left it in ruins again

5 Nov 2019
Cerith Wyn Evans.

Stockhausen, Duchamp, and exit signs – an interview with Cerith Wyn Evans

The artist talks about the wide-ranging references in his neon installations and other works – from modernist music to yoga

4 Nov 2019
Driving the World to Destruction (1983), from the Powerplay series (1983–87), Judy Chicago.

Paper work – the British Museum shows off its collection of contemporary drawings

A selection of studies and sketches shows how the definition of drawing has happily ballooned in recent decades

4 Nov 2019
Death of a Hunted Stag, photo: Dépot du Musée d'Orsay, photographie Charles Choffet

Gustave Courbet’s love of the chase

The painter’s monumental and often melancholy hunting scenes are well worth another look

2 Nov 2019
Chansonette (1928), Erna Schmidt-Caroll.

Club scenes – the art of the cabaret at the Barbican

In cities across the world, the cultural avant-garde has often hunkered down – and expressed itself – in nightclubs and bars

1 Nov 2019
Preparatory drawing for In Memory of My Feelings (detail; 1967), Jane Freilicher. The Museum of Modern Art, New York

‘A fine day for seeing’ – Frank O’Hara at the Museum of Modern Art, New York

A new display in the museum pays tribute to one of its best and most charming ambassadors

30 Oct 2019
Self-portrait (detail; 1957), Victor Willing.

The visionary art of Victor Willing deserves to be better known

A substantial survey at Hastings Contemporary is a rare chance to encounter the British painter’s concise, enigmatic images

29 Oct 2019
Night and Sleep (1878), Evelyn de Morgan. De Morgan Collection.

‘Not simply passive Cinderellas’ – rediscovering the Pre-Raphaelite women

Whether as models, studio managers, or artists in their own right, the women in the orbit of the Pre-Raphaelite Brotherhood deserve greater recognition

28 Oct 2019
Illustration by Simon Landrein

Do museums and galleries do enough for disabled visitors?

Richard Sandell and Chris Ingram discuss why museums still have a long way to go before they can claim to offer a fully accessible experience

28 Oct 2019
The Eavesdropper (detail; c. 1656), Nicolaes Maes. The Wellington Collection, Apsley House (English Heritage), London

Nicolaes Maes – the Dutch painter who made a virtue of versatility

This pupil of Rembrandt has often been mistaken for other artists, but is there an unity to be found in his many styles?

25 Oct 2019
Installation view of ‘Taus Makhacheva: Charivari’ at Yarat Contemporary Art Centre, Baku, 2019.

Bread and Soviet circuses – a letter from Baku

The artist Taus Makhacheva is fascinated by the subversive side of an art form that found great favour in the USSR

24 Oct 2019
Installation view of Bimaristan Qalawoon Gift Shop (2019), Yasmine El Meleegy in in Muhib Al-Din Hall for ‘Reimagined Narratives’, Cairo, 2019.

Contemporary art comes to the oldest street in Cairo

The latest instalment of Art D’Égypte’s annual exhibition is spread across four venues on the historic El Mu’iz street

23 Oct 2019
The Humours of an Election, 4: Chairing the Member (detail; 1754–55), William Hogarth.

Works in progress – the turbulent tales of William Hogarth

Things rarely turn out well for the characters in the satirist’s so-called ‘progress’ pieces – rather, they capture the chaos of 18th-century life

23 Oct 2019
Limestone statue of Mary Magdalen (detail) (c. 1313), from the collegiate church at Écouis (Eure). Photo: © RMN-Grand Palais/Jean-Gilles Berizzi

Art that speaks for itself? – ‘Gothic Sculpture’ by Paul Binski, reviewed

A thought-provoking study considers what makes medieval European sculpture so memorable

22 Oct 2019
Rayyane Tabet in front of Steel Rings (2013–), from the series The Shortest Distance Between Two Points (2007–).

The Apollo 40 under 40 podcast: Rayyane Tabet

The Beirut-based artist talks to Gabrielle Schwarz about his fascination with the lives of objects

22 Oct 2019
John Giorno (1936–2019) in New York in 2012.

‘All kinds of glorious hijinks’ – a tribute to John Giorno

In all his art, from his poetry hotline to the recent text paintings, Giorno refused to be bored or be boring

21 Oct 2019
The Gleaners (1857), Jean-François Millet. Musée d’Orsay, Paris

Peasant company – Jean-François Millet among the moderns

How the Barbizon painter’s subversive rural scenes inspired artists from Van Gogh to Salvador Dalí

21 Oct 2019
Photograph from 1904/06 of ‘Steamboat ladies’ – women students from Cambridge who were awarded degrees by Trinity College Dublin in the 1900s. Girton College, Cambridge

‘Frustrate the Feminine Fanatics’ – how women overcame their critics at Cambridge University

It is 150 years since women first arrived at Cambridge – and the fight for equality has taken almost as long

18 Oct 2019