Reviews
Light years ahead – ‘Isamu Noguchi’ at the Barbican, reviewed
The familiarity of the designer’s most famous products has long obscured his more utopian side
The peculiar perfectionism of Domenico Gnoli
In the six years before his tragically early death, the Italian artist zoomed in on the details of the everyday – to supremely unsettling effect
When it came to art, the religions of medieval Spain had a lot in common
Christianity, Judaism and Islam shared a visual language on the Iberian peninsula – but it was a fragile balance at the best of times
It’s time for Alan Lowndes to emerge from L.S. Lowry’s shadow
When it came to painting the industrial north-west, Stockport-born Alan Lowndes could hold his own
Vivienne Westwood’s rococo approach to fashion
The designer’s favourite museum is the Wallace Collection, so it’s no wonder her clothes are full of flourishes from Watteau, Boucher and Fragonard
True to form – Sophie Taeuber-Arp’s touching faith in geometry
In the course of her adventures in abstraction, the artist seemed determined to test herself in every available medium
The new Musée Carnavalet brings the history of Paris bang up to date
The museum devoted to the history of the Paris is itself an important part of that history – so it’s a relief that so many of its quirks remain
Altered estates – the English country houses that boomed in the post-war period
Adrian Tinniswood’s new book focuses on the aristocrats and rock stars who secured the futures of the houses they owned – or moved into
From the Andes to the Amazon, the cultures of Peru have produced astonishing work
The British Museum presents the mysteries and marvels of the Andean civilisations predating modern Peru
Cindy Sherman confirms that working from home can be murder
In what now seems like a warning from history, the artist’s only feature film is about a magazine editor who is forced to work at home
The restorers who took a creative approach to Renaissance paintings
A new study assesses 19th-century interventions on paintings by Giotto and other masters, and their impact on art history
The greatness of Constable’s lateness
In the decade before his death, John Constable developed a freer hand to follow new visions – to astonishing effect
When it came to art, Hogarth had no real beef with Europe
William Hogarth liked to present himself as a bluff Englishman, but the truth was a touch more complicated
Ruff and ready – how Frans Hals made his portraits crackle with life
The Dutch painter already knew the majority of the sitters in his lively portraits of merchants and dignitaries – and it shows
Up in the air – the photographs that defy the laws of gravity
What goes up inevitably must come down – but for a fleeting moment some photographers have tried to suggest otherwise
The messy reality of immaculate still lifes
Rebecca Birrell’s absorbing book asks us to look beneath the surface of work by women artists – but perhaps a rose sometimes really is just a rose?
Judging by his Old Masters, Norton Simon had a better eye than J. Paul Getty
Nicholas Penny’s survey of 17th- and 18th-century Italian paintings in the Norton Simon Museum reveals the astute figure behind the collections
Material differences – the abstract women sculptors with utterly distinct approaches
The artists featured in this exhibition didn’t share the same outlook or methods, but their variousness is part of the point
How Mary Quant defined the look of Swinging London
Sadie Frost’s documentary about the designer is hardly original, but then Quant didn’t actually invent the miniskirt – and it doesn’t hurt to be reminded of her genius
A century of art from Northern Ireland inevitably paints a complex picture
An exhibition in Belfast marking 100 years of the country treads rather carefully, for understandable reasons
Jasper Johns, American dreamer
A monumental two-part survey in Philadelphia and New York proves that the artist has always forged his own path
All dressed up and nowhere to go – the art of sprucing up public statues
There’s more than one way to knock a figure off its pedestal, as a documentary about dressing up public monuments in Liverpool shows
The magical films of Georges Méliès make him a name to conjure with
The film-maker deserves pride of place in any history of early cinema – as the Cinèmathèque française’s new display confirms
Damascene conversion – the knotty religious history of the Umayyad Mosque
Built to rival the Dome of the Rock in Jerusalem, the great mosque in Damascus has always been claimed by rival faiths
Do portraits have an image problem?